Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
The work in question, the Impromptu, Op 86, must have placed great demands on the composer’s already limited time (Fauré was in addition to his work as a composer, director of the conservatoire and organist at the Church of the Madeleine), and Kahn was later to recall the composer coming into the harp class with the work’s ending, which the hapless students had to furiously copy out by hand. This has led some commentators to doubt the authorship of the piece, attributing large sections of the work to Fauré’s friend Alphonse Hasselmans (1845–1912), a composer and professor of harp at the conservatoire. Yet this has not been conclusively proven, and whatever the doubts, the Impromptu creates an effect of pleasing magnificence. Broad, luscious chords give way to lyrical falling motives which are then developed in a series of virtuosic variations, making use of harmonics, glissandi, cross fingerings and rich arpeggios.
from notes by Alexander Rider © 2015
|Caprices & Fantasies|
'Highly successful throughout are the playing and recording: both immaculate' (Gramophone)» More
|Fauré: The Complete Music for Piano|
This welcome release presents Fauré’s complete music for piano, in benchmark performances by Kathryn Stott, at budget price. 4 hours and 56 minutes of pure pleasure.» More
Sivan Magen tunes his harp to the Paris of the 1920s.» More