Published by Swan & Co in 1923 and later reissued by Josef Weinberger, the Melody for the G string
was conceived for violin or viola playing in the same octave register. Accordingly it confines itself to darker hues and a modest range of pitch, its technical challenges arising from its key, G flat major. Assuming an accompanist of professional standing, Bowen is able to embellish and elevate a simple conceit by pianistic and harmonic means. The result is a gently affecting statement in ternary form and triple time, dominated by the rhythm presented in the violinist’s opening notes.
from notes by Francis Pott © 2013