Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
The Six Irish Fantasies (or 'Sketches' as they were originally called) were composed in October 1893 and consist of six varying styles of Irish song and dance—the Caoine, Boat Song, Jig, War Song, Hush Song and Reel—nearly all of which follow simple ternary designs. Four of them, which included the Caoine, Op 54 No 1 (pronounced ‘keen’), were first given at a Saturday Popular Concert at the St James’s Hall on 3 February 1894 by Lady Hallé and Henry Bird. Bernard Shaw, who reviewed the concert for The World (7 February 1894), was delighted with what he heard and, with characteristic anti-academic prejudice, felt that Stanford’s pieces ‘made excellent fiddling, and gave us at their best points a sense of the thatched roof, the clay floor, the potcheen, and the entire absence of professorial spirit proper to genuine Irish violinism’.
from notes by Jeremy Dibble © 1999
|Stanford: Music for violin and piano|
'An exemplary alliance. Not only is their playing consummately refined and joyously articulate, they bring plenty of panache and dedication to this im ...
'Music of great charm. Fine advocates of Stanford's musical riches' (BBC Music Magazine)» More