Hyperion Records

Fantasie über Motive aus Beethovens Ruinen von Athen, S389
composer
circa 1852
composer
1812; Die Ruinen von Athen (Kotzebue), Op 113

Recordings
'Liszt: The complete music for solo piano, Vol. 18 – Liszt at the Theatre' (CDA66575)
Liszt: The complete music for solo piano, Vol. 18 – Liszt at the Theatre
Buy by post £10.50 CDA66575 
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  
Details
Track 5 on CDA66575 [12'30]
Track 5 on CDS44501/98 CD49 [12'30] 99CDs Boxed set + book (at a special price)

Fantasie über Motive aus Beethovens Ruinen von Athen, S389
EnglishFrançaisDeutsch
For some reason the piano transcription of the ever-popular Turkish March from The Ruins of Athens disappeared from view, to be replaced in pianists’ affections by the well-known transcription by Anton Rubinstein. Liszt’s version—every bit as interesting—is one of his rarest works. The identical pages stand at the head of the score of Capriccio alla turca, a much more extensive piece in Liszt’s virtuoso manner, in which the March (No 4 in Beethoven’s score) is succeeded by the Dervishes’ Chorus (No 3 in Beethoven’s score; also, at one time, known in a piano transcription by Saint-Saëns) in a section marked Andante fantastico, full of diabolical trills. Eventually the March returns, much transformed, and both themes are used to produce a triumphant coda. Possibly because of its difficulty, the Capriccio gave way to Liszt’s last work on the same material, the Fantasie, which started life as a work for piano and orchestra but which was substantially revised and reissued together with versions for solo piano, piano duet, and two pianos. The Fantasie begins with a transcription of the orchestral part of the March and Chorus (which form Beethoven’s No 6, and which Beethoven reissued as opus 124 with minor changes for the music to Die Weihe des Hauses—‘The Consecration of the House’) which breaks out with a cadenza in octaves into a much more fantastic working of the material, which then subsides into the Dervishes’ Chorus. From this point, there are many resemblances to the Capriccio but the atmosphere is rather more controlled and the fireworks held in abeyance until the coda. There, closing passages of the March and Chorus lead into a final peroration upon the other two themes.

from notes by Leslie Howard © 1992

Track-specific metadata
Click track numbers opposite to select

Details for CDS44501/98 disc 49 track 5
Artists
ISRC
GB-AJY-92-57505
Duration
12'30
Recording date
30 April 1992
Recording venue
St Martin's Church, East Woodhay, Berkshire, United Kingdom
Recording producer
Tryggvi Tryggvason
Recording engineer
Tryggvi Tryggvason
Hyperion usage
  1. Liszt: Complete Piano Music (CDS44501/98)
    Disc 49 Track 5
    Release date: February 2011
    99CDs Boxed set + book (at a special price)
   English   Français   Deutsch