Hyperion Records

Aus Richard Wagners Der Ring des Nibelungen: Walhall, S449
composer
published 1876
composer
Das Rheingold; produced 1869

Recordings
'Liszt: The complete music for solo piano, Vol. 17 – Liszt at the Opera II' (CDA66571/2)
Liszt: The complete music for solo piano, Vol. 17 – Liszt at the Opera II
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
MP3 £160.00FLAC £160.00ALAC £160.00Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  
'Wagner: Wagner without words' (SIGCD388)
Wagner: Wagner without words
MP3 £15.49FLAC £15.49ALAC £15.49 Studio Master: FLAC 24-bit 96 kHz £23.25ALAC 24-bit 96 kHz £23.25 SIGCD388  Download only   Studio Master FLAC & ALAC downloads available
Details
Track 8 on CDA66571/2 CD2 [6'57] 2CDs
Track 8 on CDS44501/98 CD40 [6'57] 99CDs Boxed set + book (at a special price)
Track 8 on SIGCD388 CD2 [5'47] Download only

Aus Richard Wagners Der Ring des Nibelungen: Walhall, S449
EnglishFrançaisDeutsch
‘Incredible One’ is only one of dozens of adulatory salutations to be found in Liszt’s letters to Wagner, and Liszt’s devotion to Wagner and his music is a very special case. The intertwining of their lives and works ought yet to be the subject of a much more thorough investigation than has been seen. Suffice it to say under the present heading that Liszt devoted his purse and his art to Wagner’s cause, and the Wagner transcriptions are the largest group of Liszt’s piano works on operatic themes. If we except introductions and codas, most of the pieces in the present collection are straightforward transcriptions of famous passages from the Wagner music-dramas, but it is the very essence of Liszt’s homage that we see in the introductions and codas, where he is able to offer a most personal reflection. In the Tannhäuser pieces the codas supply endings which the opera avoids in the interest of continuity—and the coda to the song to the evening star is a gem. The Spinning Chorus from the Dutchman is carried away on a web of fancy, whilst Senta’s Ballad goes to a resplendent affirmation. Strangely, Liszt wrote only one piece based on The Ring, perhaps because his student Tausig had already done such a marvellous job with many famous passages of the score, restricting himself to the transition between the first two scenes of Rheingold and Wotan’s ensuing hymn to the newly-built Valhalla. But Liszt looks ahead to the end of the opera and the appearance of the triumphal sword motif which heralds the coming of the new age of the Volsungs.

from notes by Leslie Howard © 1992

Track-specific metadata
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Details for CDA66571/2 disc 2 track 8
Artists
ISRC
GB-AJY-92-57208
Duration
6'57
Recording date
1 August 1991
Recording venue
St Peter's Church, Petersham, United Kingdom
Recording producer
Tryggvi Tryggvason
Recording engineer
Tryggvi Tryggvason
Hyperion usage
  1. Liszt: Complete Piano Music (CDS44501/98)
    Disc 40 Track 8
    Release date: February 2011
    99CDs Boxed set + book (at a special price)
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