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Oboe Quartet No 1

composer

 
Boughton’s interest in the oboe stemmed from the fact that his third daughter, Joy (1913–1963), had become one of this country’s outstanding soloists. She had been a pupil of Leon Goossens, and it was for her that Britten would write his Six Metamorphoses after Ovid in 1961. Boughton celebrated her skills with two oboe concertos and two oboe quartets, plus a number of shorter works as encore pieces for her recitals. The Oboe Quartet No 1 was composed in March and April of 1932, Boughton recording in a letter dated 13 April that he had ‘just written a quartet for oboe and strings – small, sweet and Spring-like; with some of Spring’s sadness in it though’. It is as good a description as any of a delightful work: its first movement in sonata form, with fugal passages; its second a brief scherzo; and its third a set of six variations on a folk-like theme. Joy Boughton performed it on many occasions, though the date of the first performance has not been recorded.

from notes by Michael Hurd 1997

Recordings

Boughton: String Quartets & Oboe Quartet No 1
CDA66936Archive Service

Details

Movement 1: Allegro vivace
Movement 2: Allegro giocoso
Movement 3: Andante con variazione

Track-specific metadata for CDH55174 track 5

Allegro vivace
Artists
ISRC
GB-AJY-96-93605
Duration
4'57
Recording date
31 October 1996
Recording venue
St Michael's Church, Highgate, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell & Julian Millard
Hyperion usage
  1. Boughton: String Quartets & Oboe Quartet No 1 (CDA66936)
    Disc 1 Track 5
    Release date: May 1997
    Deletion date: June 2004
    Archive Service
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