‘Now eclipses Grumiaux as my top recommendation in both works’ (BBC Music Magazine)
‘Right from the opening chords one is in no doubt that this is going to be a powerful, rich-toned reading of what must surely be the longest, as well as one of the greatest, of Mozart’s chamber works. ...
‘One of Mozart's most carefree yet paradoxically profound healing masterpieces, played with skill and love … the most glowing and perceptive account since the Grumiaux's, and deserves to win frie ...