 | from Bach: The Well-tempered Clavier (CDA67741/4) 1 Prelude [3'04] 152 minutes 36 seconds 48 tracks2 Fugue [1'39] 3 Prelude [2'27] 4 Fugue [2'53] 5 Prelude [1'41] 6 Fugue [2'08] 7 Prelude [4'47] 8 Fugue [2'22] 9 Prelude [5'49] 10 Fugue [2'59] 11 Prelude [1'34] 12 Fugue [2'22] 13 Prelude [2'47] 14 Fugue [1'55] 15 Prelude [4'18] 16 Fugue [5'00] 17 Prelude [4'41] 18 Fugue [4'17] 19 Prelude [3'40] 20 Fugue [2'51] 21 Prelude [3'31] 22 Fugue [1'46] 23 Prelude [5'06] 24 Fugue [1'49] 25 Prelude [3'35] 26 Fugue [2'35] 27 Prelude [3'21] 28 Fugue [3'38] 29 Prelude [2'32] 30 Fugue [1'14] 31 Prelude [4'03] 32 Fugue [2'45] 33 Prelude [4'17] 34 Fugue [3'47] 35 Prelude [4'06] 36 Fugue [3'21] 37 Prelude [2'21] 38 Fugue [1'13] 39 Prelude [4'15] 40 Fugue [1'42] 41 Prelude [7'19] 42 Fugue [2'39] 43 Prelude [3'29] 44 Fugue [4'54] 45 Prelude [1'52] 46 Fugue [3'50] 47 Prelude [2'29] 48 Fugue [1'53] ‘Listening to Angela Hewitt's latest thoughts on Bach's Well-Tempered Clavier alongside her late-1990s Hyperion cycle, it appears that her interpretations haven't changed so much as evolved, intensfie ... ‘Her best Bach yet … not everyone can improve on the best, but it looks as if Angela Hewitt might have done just that … this is a defining moment in the performance history of the '48' ... ‘A previous document, which draws on her development as a person and a performer over the past 10 years. Playing of this ease and assurance rarely has such a profound understanding of the material. Th ... |