 | from Bach: The Well-tempered Clavier (CDA67741/4) 1 Prelude [2'20] 117 minutes 48 seconds 48 tracks2 Fugue [2'08] 3 Prelude [1'35] 4 Fugue [1'52] 5 Prelude [1'23] 6 Fugue [2'19] 7 Prelude [3'04] 8 Fugue [5'24] 9 Prelude [1'24] 10 Fugue [2'13] 11 Prelude [1'40] 12 Fugue [2'59] 13 Prelude [3'44] 14 Fugue [1'40] 15 Prelude [3'58] 16 Fugue [5'16] 17 Prelude [1'24] 18 Fugue [1'06] 19 Prelude [2'19] 20 Fugue [1'10] 21 Prelude [1'02] 22 Fugue [1'38] 23 Prelude [2'12] 24 Fugue [4'55] 25 Prelude [1'31] 26 Fugue [2'19] 27 Prelude [1'01] 28 Fugue [3'16] 29 Prelude [0'54] 30 Fugue [2'50] 31 Prelude [2'15] 32 Fugue [1'41] 33 Prelude [1'22] 34 Fugue [3'10] 35 Prelude [1'30] 36 Fugue [2'07] 37 Prelude [1'28] 38 Fugue [2'00] 39 Prelude [0'59] 40 Fugue [5'33] 41 Prelude [1'25] 42 Fugue [1'45] 43 Prelude [3'51] 44 Fugue [3'08] 45 Prelude [0'57] 46 Fugue [2'24] 47 Prelude [4'40] 48 Fugue [6'57] ‘Listening to Angela Hewitt's latest thoughts on Bach's Well-Tempered Clavier alongside her late-1990s Hyperion cycle, it appears that her interpretations haven't changed so much as evolved, intensfie ... ‘Her best Bach yet … not everyone can improve on the best, but it looks as if Angela Hewitt might have done just that … this is a defining moment in the performance history of the '48' ... ‘A previous document, which draws on her development as a person and a performer over the past 10 years. Playing of this ease and assurance rarely has such a profound understanding of the material. Th ... |