from Bach: The Well-tempered Clavier Book 1 (SIGCD113) 1 Prelude [2'10] 126 minutes 35 seconds 48 tracks2 Fugue [2'32] 3 Prelude [1'41] 4 Fugue [1'36] 5 Prelude [1'16] 6 Fugue [2'17] 7 Prelude [3'25] 8 Fugue [5'48] 9 Prelude [1'19] 10 Fugue [2'08] 11 Prelude [1'18] 12 Fugue [2'35] 13 Prelude [3'43] 14 Fugue [1'50] 15 Prelude [4'37] 16 Fugue [6'28] 17 Prelude [1'27] 18 Fugue [1'15] 19 Prelude [2'21] 20 Fugue [1'10] 21 Prelude [1'02] 22 Fugue [1'19] 23 Prelude [2'23] 24 Fugue [5'57] 25 Prelude [1'39] 26 Fugue [2'22] 27 Prelude [0'55] 28 Fugue [3'18] 29 Prelude [0'47] 30 Fugue [2'22] 31 Prelude [2'43] 32 Fugue [2'48] 33 Prelude [1'20] 34 Fugue [3'18] 35 Prelude [2'05] 36 Fugue [3'19] 37 Prelude [1'22] 38 Fugue [2'35] 39 Prelude [0'56] 40 Fugue [4'47] 41 Prelude [1'11] 42 Fugue [1'47] 43 Prelude [3'51] 44 Fugue [3'47] 45 Prelude [1'08] 46 Fugue [2'11] 47 Prelude [5'62] 48 Fugue [8'25] 'Within seconds you're drawn into the gentle hammer-strokes that unlock Crossland's warm, rounded and perpetually singing sonority, gorgeously captured via Jonathan Haskell's engineering' (Gramophone) 'Performed with a graceful technique and a pellucid tone, Crossland's interpretations belong among the finest of recent years and perhaps among the finest of all time. Signum Classics' sound is cool, ... |