‘In his new recording of the so-called French Suites (there is nothing particularly French about these lovely, compact essays) [Esfahani] again uses the clavichord for the first three suites and then ...
BBC Music Magazine
‘The sound [of the clavichord] is so seductive; the delicacy, the gentle chirpiness, the almost reedy timbre at times, and the way the notes sometimes bend under the finger pressure. And then there’s ...