 | from Mozart: Apollo et Hyacinthus (CKD398) 1 Intrada [2'41] 76 minutes 30 seconds 19 tracks2 Amice! iam parata sunt omnia (Hyacinthus/Zephyrus/Oebalus/Melia) [2'53] 3 Numen o Latonium (Chorus/Oebalus) [4'26] 4 Heu me! periimus! (Melia/Oebalus/Hyacinthus/Zephyrus) [1'24] 5 Saepe terrent Numina (Hyacinthus) [7'48] 6 Ah Nate! vera loqueris (Oebalus/Apollo/Hyacinthus/Melia/Zephyrus) [3'04] 7 Iam pastor Apollo (Apollo) [3'46] 8 Amare numquid Filia (Oebalus/Melia) [1'49] 9 Laetari, iocari (Melia) [6'39] 10 Rex! de salute Filii (Zephyrus/Oebalus/Melia) [5'22] 11 En! duos conspicis (Zephyrus) [3'08] 12 Heu! Numen! ecce! (Zephyrus/Melia/Apollo) [2'05] 13 Discede crudelis! (Melia/Apollo) [6'22] 14 Non est – Quis ergo Nate! (Hyacinthus/Oebalus) [2'35] 15 Ut navis in aequore luxuriante (Oebalus) [6'16] 16 Quocumque me converto (Melia, Oebalus) [2'56] 17 Natus cadit, atque Deus (Oebalus/Melia) [5'42] 18 Rex! me redire cogit (Apollo/Oebalus/Melia) [4'49] 19 Tandem post turbida fulmina (Apollo/Melia/Oebalus) [2'45]  BBC Music Magazine'Even by the standards of Mozart's astonishingly precocious childhood, this is an extraordinary achievement, a little gem of an opera written when he was just 11 years old. Commissioned by the grammar ... 'This scintillating recording of the 1767 Latin opera reveals just how early Mozart's instinct for character was formed. In keeping with historic practice, cellist Joseph Crouch's continuo line is ar ... |