Boston Baroque, conducted by Martin Pearlman recorded Haydn's masterpiece at Mechanics Hall in Worchester, Massachusetts. The soloists Amanda Forsythe, Keith Jameson and Kevin Deas joined the ensemble for the performance of Haydn's crowning achievement. The Creation remains one of the greatest works in the choral repertoire and has been astonishing audiences since its premiere in 1798.

The ensemble's concert performances of The Creation have received rave reviews, with the Boston Globe stating: ‘Boston Baroque performed with vibrant color and a fleet momentum … and made it a vivid, effervescent occasion.'

A 24-bit 192 kHz studio master for this album is available from the Linn Records website.