Arne: Artaxerxes

Thomas Arne was one of the great survivors of eighteenth-century theatrical life: in his early twenties he put on an unauthorized production of Acis and Galatea that prodded Handel into taking English seriously as a language for theatrical works. It should therefore come as no surprise that in the three years from 1759 he has three smash hits of his own, each an original masterpiece that effectively created a new genre.

Artaxerxes, the second of these, was the first attempt to set a full-blown opera seria libretto in English.

The story of the rebellious captain of the guard's attempts to usurp the Persian throne in the fifth century BC had captured the attention of several composers, but Arne's opera particularly successful because it was an excellent vehicle for great singing. Mandane's spectacular aria 'The Soldier, tir'd of War's Alarms' remained a show-piece for sopranos through much of the nineteenth century and has never entirely dropped out of the repertory.

When Haydn saw Artaxerxes in 1791 he was delighted with it and reportedly said he 'had no idea we had such an opera in the English language'.

CDD22073  139 minutes 8 seconds (2 discs)
GRAMOPHONE CRITICS' CHOICE
‘A warm welcome to the first recording of this opera, a work of great historical importance and musically fascinating … enormously enjoyable, full of good melodies, richly orchestrated, never lon ...
‘Rich orchestrations, virtuoso vocal parts and captivating tunes … a work of many charms’ (BBC Music Magazine)
‘This sparkling performance readily explains why Arne's opera was such a success when first produced at Covent Garden in 1762. Roy Goodman's direction is inspired’ (The Guardian)