Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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A Coy Joy (Dowland/Denoth)
A fancy (Dowland/Denoth)
A Fool's Preferment, or The Three Dukes of Dunstable, Z571 (Purcell/Britten)
A great and mighty wonder
A Hymn on Divine Musick (Croft/Britten)
A morning hymn, Z198 (Purcell/Britten)
Ach bleib' bei uns, Herr Jesu Christ, BWV649 (Bach/Feinberg)
Ach bleib' bei uns, Herr Jesu Christ, BWV649 (Bach/Vaughan Williams)
Ach Gott, wie manches Herzeleid, BWV3 (Bach/Saint-Saëns)
Ach wie flüchtig, ach wie nichtig, BWV26 (Bach/Rummel)
Ach wie nichtig, ach wie flüchtig, BWV644 (Bach/Reger)
Ach, wie sehnlich wart ich der Zeit (Bach/Pienaar)
Adagio
Adagio
Adagio
Adagio in G major, BWV968 (Bach/Busoni)
Adagio in G minor (Albinoni/Giazotto/Bullard)
Ah, how sweet it is to love
Air
Air de diable
Air 'on the G string'
Air vif. Torture d'Alphise
Alceste (Lully/King)
Alemanda facile (Matteis/Wallfisch)
Alle Menschen müssen sterben, BWV643 (Bach/Hewitt)
Allegro spiritoso (Senaillé/Perkins)
Allein Gott in der Höh sei Ehr, BWV662 (Bach/Feinberg)
Allein Gott in der Höh sei Ehr, BWV663 (Bach/Feinberg)
Allein Gott in der Höh sei Ehr, BWV711 (Bach/Feinberg)
Alleluia, ZS14 (Weldon/Purcell/Britten)
Also hat Gott die Welt geliebt, BWV68 (Bach/Friedman)
Also hat Gott die Welt geliebt, BWV68 (Bach/Pienaar)
Also hat Gott die Welt geliebt, BWV68 (Bach/Rummel)
Amadis des Gaules, WG39 (Bach/Pienaar)
Amarilli mia bella (Caccini/Lawrence-King)
Amore traditore, BWV203 (Bach/Rummel)
An Epithalamium (Wedding Song)
An Wasserflüssen Babylon, BWV653 (Bach/Feinberg)
An Wasserflüssen Babylon, BWV653b (Bach/Pienaar)
An Wasserflüssen Babylon, BWV653b (Bach/Reger)
Andamento malinconico (Matteis/Wallfisch)
Andante
Andante
Andantino
Arioso
Arioso
Awake Sweet Love (Dowland/Denoth)
Batalla de octavo tono (Ximénez/Roberts)
Be contented, O my soul
Blithe Bells
Bourrée
Bourrée
Brandenburg Concerto No 2 in F major, BWV1047 (Bach/Goossens)
Brandenburg Concerto No 3 in G major, BWV1048 (Bach/Friedman)
Capriccio in B flat major 'on the Departure of his Beloved Brother', BWV992 (Bach/Busoni)
Caprice sur les airs de ballet d'Alceste (Gluck/Saint-Saëns)
Captain Digorie Piper's Galliard (Dowland/Denoth)
Celemene
Cello Sonata in D major, Wf X:2 (Bach/Pienaar)
Cello Suite No 3 in C major, BWV1009 (Bach/Godowsky)
Cello Suite No 6 in D major, BWV1012 (Bach/Fryer)
Cello Suite No 6 in D major, BWV1012 (Bach/Fryer/Pienaar)
Chaconne
Chœur
Christ is made the sure foundation
Christ is made the sure foundation
Christ is made the sure foundation
Christ is made the sure foundation – Westminster Abbey (Purcell/Cullen)
Christ is made the sure foundation – Westminster Abbey (Purcell/Robinson)
Christ is made the sure foundation – Westminster Abbey (Purcell/Rutter)
Christ lag in Todesbanden, BWV4 (Bach/Rummel)
Christ lag in Todesbanden, BWVAnh 171 (Pachelbel/Reger)
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn
Christians, awake, salute the happy morn – Yorkshire 'Stockport' (Wainwright/Battiwalla)
Christians, awake, salute the happy morn – Yorkshire 'Stockport' (Wainwright/Cleobury)
Christmas Oratorio, BWV248 (Bach/Dobbins)
Christmas Oratorio, BWV248 (Bach/Rummel)
Chromatic Fantasia and Fugue in D minor, BWV903 (Bach/Magen)
Chromatic Fantasia and Fugue in D minor, BWV903 (Bach/Reger)
Ciaccona
Ciaccona
Come ye sons of Art, away, Z323 (Purcell/Britten)
Concerto Grosso fatto per la notte di natale in G minor 'Christmas Concerto', Op 6 No 8 (Corelli/Eteson)
Concerto in A minor, RV522 BWV593 (Vivaldi/Bach/Feinberg)
Concerto in A minor, RV522 BWV593 (Vivaldi/Bach/Philipp)
Concerto in B minor, Op 6 No 3 (Torelli/Ng)
Concerto in C major, Op 6 No 7 (Torelli/Ng)
Concerto in D minor, RV565 BWV596 (Vivaldi/Bach/Murdoch)
Concerto in D minor, RV565 BWV596 (Vivaldi/Bach/Philipp)
Concerto in E minor, Op 6 No 2 (Torelli/Ng)
Concerto in F major, Op 6 No 8 (Torelli/Ng)
Concerto in G minor, Op 6 No 5 (Torelli/Ng)
Contredanse générale
Das alte Jahr vergangen ist, BWV614 (Bach/Bliss)
Das alte Jahr vergangen ist, BWV614 (Bach/Hewitt)
Das alte Jahr vergangen ist, BWV614 (Bach/Reger)
Das alte Jahr vergangen ist, BWV614 (Bach/Rummel)
Das Brausen von den rauen Winden
Das neugeborne Kindelein, BWV122 (Bach/Rummel)
Dein Name gleich der Sonnen geh
Denn du wirst meine Seele nicht in der Hölle lassen, BWV15 (Bach/Saint-Saëns)
Der Streit zwischen Phoebus und Pan 'Geschwinde, ihr wirbeln den Winde', BWV201 (Bach/Rummel)
Der Tag, der ist so freudenreich, BWV605 (Bach/Lambert)
Det är en ros utsprungen
Dich hab ich je und je geliebet
Dido's lament (Purcell/Bullard)
Die Seele ruht in Jesu Händen
Die Seele ruht in Jesu Händen
Die Welt ist wie ein Rauch und Schatten
Double Bass Concerto No 2 in D major (Dittersdorf/Nwanoku)
Drop, drop, slow tears
Duettino Concertante (Mozart/Busoni)
Dulcibella, when e'er I sue for a kiss, Z485 (Purcell/Britten)
Durch Adams Fall ist ganz verderbt, BWV637 (Bach/Reger)
Durch Adams Fall ist ganz verderbt, BWV637/705 (Bach/Busoni)
Durchlauchtster Leopold, BWV173a (Bach/Rummel)
Ein feste Burg ist unser Gott, BWV720 (Bach/Feinberg)
English Suite No 2 in A minor, BWV807 (Bach/Pienaar)
Entrée majestueuse des dieux
Erhalt uns, Herr, bei deinem Wort, BWV126 (Bach/Rummel)
Erschallet, ihr Lieder, erklinget, ihr Saiten!, BWV172 (Bach/Pienaar)
Ertöt uns durch dein Güte
Es ist das Heil uns kommen her, BWV638 (Bach/Reger)
Es ist ein Ros' entsprungen (Praetorius/Pedersen)
Es ist ein Ros' entsprungen (Praetorius/Sandström)
Esurientes implevit bonis
Evening Hymn, Z193 (Purcell/Britten)
Fairest isle
Fantasia and Fugue in C minor, BWV537 (Bach/Albert)
Fantasia and Fugue in C minor, BWV537 (Bach/Elgar)
Fantasia in C minor, BWV906 (Bach/Busoni)
Fantasia in G major 'Pièce d'orgue', BWV572 (Bach/Bax)
Fantasia super Valet will ich dir geben, BWV735 (Bach/Feinberg)
Fantasie in E flat major, H277 Wq58/6 (Bach/Magen)
For His Majestys Sagbutts and Cornetts (Locke/Roberts)
Fortune (Dowland/Denoth)
Freue dich, erlöste Schar, BWV30 (Bach/Saint-Saëns)
From silent shades and the Elysian groves
From silent shades and the Elysian groves
Fugue
Fugue
Fugue
Fugue
Fugue in B flat major
Fugue in C minor, BWV575 (Bach/Goedicke)
Fugue in D major
Gavotte
Gavotte
Gavotte vive (pour les Zéphirs)
Geist und Seele wird verwirret, BWV35 (Bach/Saint-Saëns)
Geist und Seele wird verwirret, BWV35 (Bach/Siloti)
Gelobet sei der Herr, mein Gott, BWV129 (Bach/Rummel)
Gilded Goldbergs, Op 86 (Holloway/Bach)
Give the king thy judgements, O God (Rutter/Gibbons)
Goldberg Variations 'Aria mit verschiedenen Veränderungen', BWV988 (Bach/Sitkovetsky)
Hark the ech'ing air!
Hears not my Phillis how the birds
Herr Gott, dich loben alle wir, BWV130 (Bach/Rummel)
Herr Gott, nun schleuss den Himmel auf, BWV617 (Bach/Busoni)
Herr Jesu Christ, dich zu uns wend, BWV655 (Bach/Feinberg)
Herr Jesu Christ, wahr' Mensch und Gott, BWV127 (Bach/Bauer)
Herr Jesu Christ, wahr' Mensch und Gott, BWV127 (Bach/Rummel)
Herz und Mund und Tat und Leben, BWV147 (Bach/Bauer)
Herz und Mund und Tat und Leben, BWV147 (Bach/Hess)
Herz und Mund und Tat und Leben, BWV147 (Bach/Horne)
Herz und Mund und Tat und Leben, BWV147 (Bach/Whittaker)
Herzlich tut mich verlangen, BWV727 (Bach/Reger)
Herzlich tut mich verlangen, BWV727 (Bach/Walton)
Hornpipe from Watermusic (Handel/Grainger)
How blest are shepherds
Hymn to God the Father (Humfrey/Britten)
Hymn to God the Father (Humfrey/Tippett/Bergmann)
Hymn Tune Prelude on Song 13 (Gibbons/Vaughan Williams)
I attempt from love's sickness to fly
I attempt from love's sickness to fly
I spy Celia, Z499 (Purcell/Britten)
I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
Ich bin ein guter Hirt, BWV85 (Bach/Foss)
Ich bin ein guter Hirt, BWV85 (Bach/Pienaar)
Ich geh und suche mit Verlangen, BWV49 (Bach/Rummel)
Ich hab in Gottes Herz und Sinn, BWV92 (Bach/Rummel)
Ich lasse dich nicht, BWVAnh159 (Bach/Pienaar)
Ich ruf' zu dir, Herr Jesu Christ, BWV639 (Bach/Busoni)
Ich ruf' zu dir, Herr Jesu Christ, BWV639 (Bach/Kempff)
Ich ruf' zu dir, Herr Jesu Christ, BWV639 (Bach/Reger)
If music be the food of love, Z379a (Purcell/Britten)
If music be the food of love, Z379a (Purcell/Tippett/Bergmann)
If music be the food of love, Z379c (Purcell/Britten)
I'll sail upon the dog-star
Immortal Bach (Bach/Nystedt)
In dir ist Freude, BWV615 (Bach/Busoni)
In dulci iubilo, BWV729 (Bach/Berners)
In guilty night, and hid in false disguise
In the black dismal dungeon of despair, Z190 (Purcell/Britten)
Incassum Lesbia, incassum rogas
Introduction et Air
Jesu, der du meine Seele, BWV78 (Bach/Rummel)
Jesu, grant me this, I pray (Gibbons/Bairstow)
Jesu, joy of man's desiring
Jesu, joy of man's desiring
Jesu, joy of man's desiring
Jesu, joy of man's desiring
Jesus Christus, Gottes Sohn
Jesus Christus, unser Heiland, BWV665 (Bach/Busoni)
Jesus Christus, unser Heiland, BWV665 (Bach/Feinberg)
Jesus nahm zu sich die Zwölfe, BWV22 (Bach/Cohen)
Jesus nahm zu sich die Zwölfe, BWV22 (Bach/Rummel)
Job's curse, Z191 (Purcell/Britten)
Keyboard Concerto No 4 in A major, BWV1055 (Bach/Pienaar)
Keyboard Concerto No 5 in F minor, BWV1056 (Bach/Bax)
Keyboard Concerto No 5 in F minor, BWV1056 (Bach/Cortot)
King Arthur, or The British Worthy, Z628 (Purcell/Britten)
Komm, Gott Schöpfer, Heiliger Geist, BWV667 (Bach/Busoni)
Komm, heiliger Geist Herre Gott, BWV651 (Bach/Reger)
Komm, süsser Tod!
Komm, süsser Tod, BWV478 (Bach/Bridge)
Komm, süsser Tod, BWV478 (Bach/Stevenson)
Kommst du nun, Jesu, vom Himmel herunter, BWV650 (Bach/Feinberg)
La joye
La Senna festeggiante, RV693 (Vivaldi/King)
Lachrimae Pavan (Dowland/Denoth)
Lady Rich, her Galliard (Dowland/Denoth)
Largo
Lass dich nimmer von der Liebe berücken 'Chi in amore ha nemica la sorte'
Les Boréades (Rameau/Lidström)
Les douze Noëls (Daquin/Wright)
Let the dreadful engines of eternal will
Let the night perish; cursed be the morn
Liebster Gott, wenn werd ich sterben?, BWV8 (Bach/Saint-Saëns)
Liebster Jesu, wir sind hier, BWV730 (Bach/Reger)
Liebster Jesu, wir sind hier, BWV731 (Bach/Cohen)
Liebster Jesu, wir sind hier, BWV731 (Bach/Rummel)
Little Fugue in G minor, BWV578 (Bach/Borwick)
Little Fugue in G minor, BWV578 (Bach/Mednikoff)
Little Prelude and Fugue in E minor, BWV533 (Bach/Busoni)
Lo! He comes with clouds descending (Olivers/Robinson)
Lord Strang's March (Dowland/Denoth)
Lord! I have sinned (Humfrey/Britten)
Lord, what is man?, Z192 (Purcell/Britten)
Lost is my quiet for ever, Z502 (Purcell/Britten)
Love of the Father
Lute-book lullaby (Ballet/Shaw)
Mad Bess, Z370 (Purcell/Britten)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Magnificat, BWV243 (Bach/Rummel)
Man is for the woman made
Marche des combattants
Mein gläubiges Herze
Mein Gott, wie lang, ach lange?, BWV155 (Bach/Cohen)
Meine Seele erhebt den Herrn, BWV648 (Bach/Ireland)
Melancholy Galliard (Dowland/Denoth)
Mélodie
Minuet (Bach/Petri)
Minuet (Purcell/Cortot)
Miserere mei, Deus (Allegri/Roberts)
Mister Dowland's Midnight (Dowland/Denoth)
Mistress Nichols' Almaine (Dowland/Denoth)
Mistress White's Nothing (Dowland/Denoth)
Mo Ghille Mear (Mac Domhnaill/Earley)
Morning Song
Mrs Winter's Jump (Dowland/Denoth)
Music for a while
Music for a while
Musica grave (Matteis/Wallfisch)
My heart ever faithful
My Lady Hunssdon's Puffe (Dowland/Denoth)
My Lord Willoughby's Welcome Home (Dowland/Denoth)
No, resistance is but vain
Not all my torments can your pity move, Z400 (Purcell/Britten)
Now thank we all our God
Now thank we all our God
Now thank we all our God
Now thank we all our God – Nun danket alle Gott (Crüger/Battiwalla/Lang)
Now thank we all our God – Nun danket alle Gott (Crüger/Cleobury)
Now that the sun hath veiled his light
Now that the sun hath veiled his light 'An Evening Hymn', Z193 (Purcell/Tippett/Bergmann)
Now, oh now I needs must part (Dowland/Grainger)
Nun danket alle Gott (Crüger/Rutter)
Nun danket alle Gott, BWV657 (Bach/Reger)
Nun freut euch, lieben Christen g'mein, BWV734a (Bach/Busoni)
Nun komm, der Heiden Heiland, BWV659 (Bach/Busoni)
Nun komm, der Heiden Heiland, BWV659 (Bach/Feinberg)
Nun komm, der Heiden Heiland, BWV659 (Bach/Friedman)
Nun komm, der Heiden Heiland, BWV659 (Bach/Kempff)
O God, our help in ages past
O God, our help in ages past
O God, our help in ages past
O God, our help in ages past – St Anne (Croft/Cleobury)
O God, our help in ages past – St Anne (Croft/Rutter)
O Gott, du frommer Gott!
O Lamm Gottes, unschuldig, BWV656 (Bach/Borwick)
O Lamm Gottes, unschuldig, BWV656 (Bach/Pienaar)
O Mensch, bewein' dein' Sünde gross, BWV622 (Bach/Howells)
O Mensch, bewein' dein' Sünde gross, BWV622 (Bach/Pienaar)
O Mensch, bewein' dein' Sünde gross, BWV622 (Bach/Reger)
O Menschen, die ihr täglich sündigt
O solitude, my sweetest choice!, Z406 (Purcell/Britten)
O worship the king
O worship the King
O worship the king – Hanover (Croft/Quinney/Gray)
O worship the King – Hanover (Croft/Scott)
Oedipus, Z583 (Purcell/Britten)
Oedipus, Z583 (Purcell/Tippett/Bergmann)
On the brow of Richmond Hill, Z405 (Purcell/Britten)
Orchestral Suite No 3 in D major, BWV1068 (Bach/Siloti)
Orfeo ed Euridice (Gluck/Friedman)
Orfeo ed Euridice (Gluck/Kreisler)
Orlando Sleepeth (Dowland/Denoth)
Oroonoko, Z584 (Purcell/Britten)
Orpheo Melody (Gluck/Sgambati)
Ouverture
Ouverture (La discorde et la guerre)
Ouverture a 5 in D (Böhm/Holman)
Overture in G major (Bach/Pienaar)
Partita No 1 in B minor, BWV1002 (Bach/Friedman)
Partita No 1 in B minor, BWV1002 (Bach/Saint-Saëns)
Partita No 2 in D minor, BWV1004 (Bach/Artzt)
Partita No 2 in D minor, BWV1004 (Bach/Busoni)
Partita No 2 in D minor, BWV1004 (Bach/Thoene)
Partita No 3 in E major, BWV1006 (Bach/Friedman)
Partita No 3 in E major, BWV1006 (Bach/Rachmaninov)
Partita No 3 in E major, BWV1006 (Bach/Saint-Saëns)
Parts upon a ground (Purcell/Ashton)
Passacaglia in C minor, BWV582 (Bach/Albert)
Passacaglia in C minor, BWV582 (Bach/Catoire)
Pausanias, the Betrayer of his Country, Z585 (Purcell/Britten)
Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
Pièces en concert (Couperin/Bazelaire)
Pious Celinda goes to prayers, Z410 (Purcell/Britten)
Polonaise No 10 in F minor, F12 (Bach/Pienaar)
Praeludium in D minor, BuxWV140 (Buxtehude/Prokofiev)
Prelude
Prelude
Prelude
Prelude
Prelude and Fugue in A major, BWV536 (Bach/Albert)
Prelude and Fugue in D major, BWV532 (Bach/Albert)
Prelude and Fugue in D major, BWV532 (Bach/Busoni)
Prelude and Fugue in D major, BWV532 (Bach/Reger)
Prelude and Fugue in D minor 'Fiddle', BWV539 (Bach/Goedicke)
Prelude and Fugue in E flat major 'St Anne', BWV552 (Bach/Busoni)
Prelude and Fugue in E flat major 'St Anne', BWV552 (Bach/Reger)
Prelude and Fugue in E minor 'The wedge', BWV548 (Bach/Feinberg)
Prelude and Fugue in E minor 'The wedge', BWV548 (Bach/Reger)
Prelude and Fugue in F minor, BWV534 (Bach/Albert)
Prelude and Fugue in G major, BWV541 (Bach/Albert)
Prelude and Fugue in G major, BWV541 (Bach/Goedicke)
Prelude and Fugue in G major, BWV541 (Bach/Pienaar)
Prelude in B minor, BWV855a (Bach/Siloti)
Prelude in D minor
Preludium (Dowland/Denoth)
Presto
Queen Elisabeth, her Galliard (Dowland/Denoth)
Récitatif et Air
Rejoice, the Lord is king!
Rondeau
Round Battle Galliard (Dowland/Denoth)
Rule a Wife and Have a Wife, Z587 (Purcell/Britten)
Sanctify us by thy goodness
Sanctify us by thy goodness
Saraband – Minuet – Air (Purcell/Hess)
Sarabande
Saul and the witch at Endor, Z134 (Purcell/Britten)
Scaramuccia (Matteis/Wallfisch)
Schmücke dich, o liebe Seele, BWV654 (Bach/Reger)
Schwingt freudig euch empor, BWV36 (Bach/Roberts)
Schwingt freudig euch empor, BWV36 (Bach/Saint-Saëns)
Scottish Dance (Brade/McGowan)
'Sé mo laoch mo ghille mear
Se tu m'ami, se sospiri (Pergolesi/Zadora)
See what his love can do
Seht, was die Liebe tut
Sein Lauf kam von Vater her
Sheep may safely graze
Sheep may safely graze
Sheep may safely graze (Bach/Petri)
Shepherd, leave decoying
Siciliana
Siciliano
Siciliano
Siciliano
Silent worship (Handel/Jacobson)
Sinfonia
Sinfonia
Sir John Smith, his Almain (Dowland/Denoth)
So oft ich meine Tobackspfeife (Bach/Pienaar)
Sonata for violin and harpsichord No 5 in F minor, BWV1018 (Bach/Siloti)
Sonata in A major, BWV1032 (Bach/Beznosiuk)
Sonata in E flat major, BWV1031 (Bach/Friedman)
Sonata in E flat major, BWV1031 (Bach/Kempff)
Sonata in E flat major, BWV1031 (Bach/Siloti)
Sonata in F major (Bach/Pienaar)
Sonata in G minor 'Il trillo del Diavolo', Bg5 (Tartini/Kreisler)
Sonata in G minor, H47 Wq65/17 (Bach/Pienaar)
Sonata No 1 in G minor, BWV1001 (Bach/Godowsky)
Sonata No 12 in F major, Op 1 (Handel/Ashton)
Sonata No 2 in A minor, BWV1003 (Bach/Saint-Saëns)
Sonata No 2 in A minor, BWV1003 (Bach/Siloti)
Sonata No 3 in C major, BWV1005 (Bach/Saint-Saëns)
Sonata quarta in D major (Schmelzer/Wallfisch)
Song 46 (Gibbons/Dearmer)
Sound the trumpet
St Anne (Croft/Scott)
Stürze zu Boden, schwülstige Stolze!
Suite from Nais (Rameau/Pienaar)
Suite No 10 in G minor (Weiss/Artzt)
Suite No 4 in C major (Bach/Pienaar)
Sweet was the song the Virgin sang
Sweeter than roses
Sweeter than roses
Take not a woman's anger ill
Tarleton's Resurrection (Dowland/Denoth)
Tell me, lovely shepherd (Boyce/Poston)
Tell me, some pitying angel, quickly say
The Art of Fugue, BWV1080 (Bach/Simpson)
The Art of Fugue, BWV1080 (Bach/Tovey/Simpson)
The Blessed Virgin's Expostulation when our Saviour, at twelve years of age, had withdrawn himself, Z196 (Purcell/Britten)
The Carman's Whistle 'Air and Variations', BK36 (Byrd/Grainger)
The Comical History of Don Quixote, Z578 (Purcell/Britten)
The Dance of the Blessed Spirits
The Fairy Queen, Z629 (Purcell/Britten)
The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The Frog Galliard (Dowland/Denoth)
The Indian Queen, Z630 (Purcell/Britten)
The Indian Queen, Z630 (Purcell/Tippett/Bergmann)
The King of Denmark, his Galliard (Dowland/Denoth)
The knotting song, Z371 (Purcell/Britten)
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell/Britten)
The Mock Marriage, Z605 (Purcell/Britten)
The Mock Marriage, Z605 (Purcell/Clarke/Tippett/Bergmann)
The Prophetess, or The History of Dioclesian, Z627 (Purcell/Tippett/Bergmann)
The Queen's Epicedium, Z383 (Purcell/Britten)
The Rival Sisters, or The Violence of Love, Z609 (Purcell/Britten)
The Shoemaker's Wife (Dowland/Denoth)
The well-tempered Clavier Book 1, BWV846-869 (Bach/Grainger)
The well-tempered Clavier Book 1, BWV846-869 (Bach/Reger)
The well-tempered Clavier Book 1, BWV846-869 (Bach/Villa-Lobos)
The well-tempered Clavier Book 2, BWV870-893 (Bach/Grainger)
The well-tempered Clavier Book 2, BWV870-893 (Bach/Reger)
The well-tempered Clavier Book 2, BWV870-893 (Bach/Villa-Lobos)
There's not a swain of the plain
Thine be the glory
Thine be the glory
Thine be the glory – Maccabaeus (Handel/Battiwalla)
Thine be the glory – Maccabaeus (Handel/Cleobury)
Thou wakeful shepherd, that does Israel keep
Thrice happy lovers, may you be for ever free
Toccata and Fugue
Toccata and Fugue in D minor 'Dorian', BWV538 (Bach/Albert)
Toccata and Fugue in D minor 'Dorian', BWV538 (Bach/Kabalevsky)
Toccata and Fugue in D minor, BWV565 (Bach/Busoni)
Toccata and Fugue in D minor, BWV565 (Bach/Cortot/Hough)
Toccata and Fugue in D minor, BWV565 (Bach/Friedman)
Toccata and Fugue in D minor, BWV565 (Bach/Grainger)
Toccata and Fugue in D minor, BWV565 (Bach/Reger)
Toccata and Fugue in F major, BWV540 (Bach/Albert)
Toccata Prelude – Sarabande – Minuet (Purcell/Henderson)
Toccata, Adagio and Fugue in C major, BWV564 (Bach/Busoni)
Toccata, Adagio and Fugue in C major, BWV564 (Bach/Hess)
Trio Sonata in C major, BWV529 (Bach/Feinberg)
Trio Sonata in C major, BWV529 (Bach/King)
Trio Sonata in C minor, BWV526 (Bach/King)
Trio Sonata in D minor, BWV527 (Bach/King)
Trio Sonata in E flat major, BWV525 (Bach/King)
Trio Sonata in E minor, BWV528 (Bach/King)
Trio Sonata in G major, BWV530 (Bach/King)
Trio Sonata No 12 in G major (Boyce/Craxton)
Turn then thine eyes, Z425 (Purcell/Britten)
'Twas within a furlong of Edinboro' town
Tyrannic Love, or The Royal Martyr, Z613 (Purcell/Tippett/Bergmann)
Valet will ich dir geben, BWV736 (Bach/Reger)
Vater unser im Himmelreich, BWV760 (Bach/Rummel)
Violin Sonata in F major, Op 5 No 10 (Corelli/Beznosiuk)
Vom Himmel hoch, da komm' ich her
Vom Himmel hoch, da komm ich her, BWV606 (Bach/Reger)
Von Gott kömmt mir ein Freudenschein
Von Gott will ich nicht lassen, BWV658 (Bach/Feinberg)
Wachet auf, ruft uns die Stimme, BWV645 (Bach/Bantock)
Wachet auf, ruft uns die Stimme, BWV645 (Bach/Busoni)
Wachet auf, ruft uns die Stimme, BWV645 (Bach/Friedman)
Wachet auf, ruft uns die Stimme, BWV645 (Bach/Kempff)
Was frag ich nach der Welt, BWV94 (Bach/Rummel)
Was Gott tut, das ist wohlgetan, BWV99 (Bach/Rummel)
Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach/Friedman)
Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach/Grainger)
Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach/Howe)
We sing to him whose wisdom form'd the ear, Z199 (Purcell/Britten)
Weinen, Klagen, Sorgen, Zagen, BWV12 (Bach/Rummel)
Wenn wir in höchsten Nöten sein 'Vor deinen Thron tret ich hiermit', BWV668 (Bach/Reger)
Wenn wir in höchsten Nöten sein, BWV641 (Bach/Hewitt)
Wer an ihn gläubet
Wer nur den lieben Gott lässt walten, BWV647 (Bach/Feinberg)
What art thou? From what causes dost thou spring?
What can we poor females do?, Z518 (Purcell/Britten)
What if a day (Dowland/Denoth)
What shall I do to show how much I love her?
When I survey the wondrous Cross
When Myra sings, Z521 (Purcell/Britten)
Wilt thou forgive that Sin, where I began?
Wir danken dir, Gott, wir danken dir, BWV29 (Bach/Dupré)
Wir danken dir, Gott, wir danken dir, BWV29 (Bach/Kempff)
Wir danken dir, Gott, wir danken dir, BWV29 (Bach/Saint-Saëns)
Wir eilen mit schwachen
Wir glauben all an einen Gott, BWV740 (Bach/Whittaker)
Wir müssen durch viel Trübsal, BWV146 (Bach/Rummel)
Ye holy angels bright
Ye holy angels bright
Ye holy angels bright – Darwall's 148th (Darwall/Gray)
Ye holy angels bright – Darwall's 148th (Darwall/Scott)
Zadok the Priest (Lawes/Gant)
Zu Tanze, zu Sprunge 'Pan's dancing song'
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