Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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¿Quién te hiso, Juan Pastor? (Badajoz)
A fancy (Danyel)
A Knell (Johnson)
A solfing song (Tallis)
A song called trumpets (Parsons)
A song of Mr Robert Parsons (Parsons)
A Spanish Humour 'The Lord Hayes' Favourite' (Hume)
Ach Lieb mit Leid (Hofhaimer)
Affetti musicali, Op 1 (Marini)
Ah silly soul (Byrd)
Air in G minor (Johnson)
All as a sea (Byrd)
Alman (Ferrabosco Jr.)
Alman 'Aria' (Ferrabosco Jr.)
Alman in C major (Ferrabosco Jr.)
Alman Tregian (Philips)
Almand in G major (Taylor/Simpson)
Almande (Simpson)
Almande (Simpson)
Amavit eum Dominus (Tye)
An aged dame (Byrd)
Ancor che col partire (Rore/Rognoni)
Antonilla es desposada (Encina)
Aquella mora garrida (Gabriel de Texerana)
Aria (Philips/Simpson)
Aria del Gran Duca Ferdinando di Toscana (Cavalieri/Philips)
Aria 'Mrs Nichols Almand' (Dowland)
Balla d'Amore (Tregian/Philips)
Balletto Alta Gonzaga (Caroso)
Balletto Celeste Giglio (Caroso)
Balletto Forza d'amore (Caroso)
Balletto La Sirena (Gastoldi)
Ballo del fiore (Negri)
Ballo francese – Tedesca – Schiarazula marazula – ungarescha (Mainerio)
Bassa gioiosa (Negri)
Bassedance 'En vray amoure a 4, a 6' (Henry VIII/McGowan)
Bassedance 'T'Andernacken a 5' (Alamire)
Bassedance 'Taunder nacken a 3' (Henry VIII)
Bells – Intrada tertia – Intrada sexta – Intrada septima – Trumpet Sonata No 333 (Hassler/Bendinelli)
Benedicta sit sancta Trinitas (Palestrina)
Boffons (Eyck)
Brando secondo
Bransle de Champaigne / Bransle de Poictou (Gervaise)
Bransles de village (Besard)
Browning a 5 'The leaves be green' (Byrd)
Browning my dear (Woodcock)
Cancion francesa glosada (Cabezón)
Canzon (Grabbe)
Canzon (Simpson)
Canzon (Simpson)
Canzon duodecimi toni (Hassler)
Canzon duodecimi toni a 10, C177 (Gabrieli)
Canzon duodecimi toni a 10, C178 (Gabrieli)
Canzon duodecimi toni a 10, C179 (Gabrieli)
Canzon duodecimi toni a 8, C174 (Gabrieli)
Canzon in echo duodecimi toni a 10, C180 (Gabrieli)
Canzon in echo duodecimi toni a 10, per concertar con l'organo, C181 (Gabrieli)
Canzon 'La Paglia' (Erbach)
Canzon No 19 a 8 (Picchi)
Canzon noni toni (Hassler)
Canzon noni toni a 12, C183 (Gabrieli)
Canzon noni toni a 8, C173 (Gabrieli)
Canzon primi toni a 10, C176 (Gabrieli)
Canzon primi toni a 8, C170 (Gabrieli)
Canzon quarti toni a 15, C185 (Gabrieli)
Canzon septimi toni a 12, C182 (Gabrieli)
Canzon septimi toni a 8, C171 (Gabrieli)
Canzon septimi toni a 8, C172 (Gabrieli)
Canzona a 6 (Buonamente)
Canzona Quarta a due, conto e basso (Frescobaldi)
Canzona super Cantionem Gallicam 'Est-ce Mars?' (Scheidt)
Captain Digorie Piper his Pavan and Galliard (Dowland)
Captaine Digorie Piper his Galiard
Captaine Digorie Piper his Pavan (Dowland)
Cascarda allegrezza d'Amore (Caroso)
Cecus non iudicat de coloribus (Agricola)
Christe qui lux es I a 4 (Byrd)
Christe qui lux es II a 4 (Byrd)
Christe qui lux es III a 4 (Byrd)
Christe redemptor omnium a 4 (Byrd)
Christus resurgens (Tye)
Ciaccona (Merula)
Come to me, grief, for ever (Byrd)
Con amores, mi madre (Anchieta)
Constant Penelope (Byrd)
Content desir a 3 (Crecquillon)
Cor mio, deh non languire
Cornish Dance (Brade)
Corrente sesta
Courantes 1 and 2 (Simpson)
Da pacem, Domine (Rogier)
De la court (Parsons)
De profundis clamavi (Gabrieli)
De vous servir (Sermisy)
Derde Doen Daphne d'over (Eyck)
Diferencias sobra 'O felici occhi miei' (Arcadelt/Ortiz)
Divisions on John come kiss me now (Simpson)
Divisions on Susanna un jour (Bassano)
Divisions on Susanna un jour (Cabezón)
Divisions on the Dolorosa Pavan (A Kempis/Philips)
Dolce amoroso fuoco (Caroso)
Dolorosa Pavan and Galliard (Philips)
Down, caitiff wretch (Ward)
Dum transisset Sabbatum I (Tye)
Dum transisset Sabbatum II (Tye)
Dum transisset Sabbatum III (Tye)
Dum transisset Sabbatum IV (Tye)
Elle veult donc (Sermisy)
En espoir d'avoir mieulx (Gombert)
Erbarm dich mein, o Herre Gott, SWV447 (Schütz)
Fain would I wed (Campion)
Falla con misuras (Ebreo da Pesaro/Ashton)
Fancy (Blancks)
Fantasia a 4 (Ferrabosco Sr.)
Fantasia a 4 (Gibbons)
Fantasia a 4 No 1 (Ward)
Fantasia a 4 No 2 (Ward)
Fantasia a 4 No 3 (Ward)
Fantasia a 4 No 4 (Ward)
Fantasia a 4 No 5 (Ward)
Fantasia a 4 No 6 (Ward)
Fantasia a 5 No 1 (Ward)
Fantasia a 5 No 10 (Ward)
Fantasia a 5 No 11 'Cor mio' (Ward)
Fantasia a 5 No 12 'Leggiadra sei' (Ward)
Fantasia a 5 No 13 'Non fu senze' (Ward)
Fantasia a 5 No 2 'La Rondinella' (Ward)
Fantasia a 5 No 3 (Bassano)
Fantasia a 5 No 3 (Ward)
Fantasia a 5 No 4 (Ward)
Fantasia a 5 No 5 (Ward)
Fantasia a 5 No 6 (Ward)
Fantasia a 5 No 7 (Ward)
Fantasia a 5 No 8 (Ward)
Fantasia a 5 No 9 (Ward)
Fantasia a 5 'Two parts in one in the fourth above' (Byrd)
Fantasia a 6 (Coprario)
Fantasia a 6 No 1 (Gibbons)
Fantasia a 6 No 1 (Ward)
Fantasia a 6 No 2 (Gibbons)
Fantasia a 6 No 2 (Ward)
Fantasia a 6 No 3 (Gibbons)
Fantasia a 6 No 3 (Ward)
Fantasia a 6 No 4 (Gibbons)
Fantasia a 6 No 4 (Ward)
Fantasia a 6 No 5 (Gibbons)
Fantasia a 6 No 5 (Ward)
Fantasia a 6 No 6 (Gibbons)
Fantasia a 6 No 6 (Ward)
Fantasia a 6 No 7 (Ward)
Fantasia a 6 'Sur la rosée' (Ferrabosco Sr.)
Fantasia for three trebles in G minor (Johnson)
Fantasia I a 3 (Byrd)
Fantasia I a 4 (Byrd)
Fantasia I a 6 'A song of two basses' (Byrd)
Fantasia II a 3 (Byrd)
Fantasia II a 6 (Byrd)
Fantasia III a 3 (Byrd)
Fantasia III a 4 (Byrd)
Fantasia III a 6 'To the vyolls' (Byrd)
Fantasias a 3 (Gibbons)
Fantasias a 3 'for great double bass' (Gibbons)
Fantasias a 4 'for the great double bass' (Gibbons)
Fantasies a 4 (Lupo)
Fantasy a 3 No 1 (Gibbons)
Fantasy a 3 No 2 (Gibbons)
Fantasy a 3 No 3 (Gibbons)
Fantasy a 3 No 4 (Gibbons)
Fantasy-airs a 3 (Lupo)
Fantasy-airs a 4 (Lupo)
Fata la parte (Encina)
Fortune my foe (Dowland)
Frais et gaillard (Bassano)
From the famous peak of Derby (Johnson)
Gagliarda a 4 e a 3 si placet
Gagliarda disperata
Gagliarda lombarda – Ballo lombarda – Gagliarda seconda (Valente)
Gagliardas 'Moneghina' and 'La Canella' (Gardane)
Gagliarde a 5 e a 3 si placet, detta Narciso
Galliard
Galliard
Galliard
Galliard
Galliard (Philips)
Galliard (Simpson)
Galliard (Simpson)
Galliard (Simpson)
Galliard a 6 (Gibbons)
Galliard 'Coranto' (Bassano/Philips)
Galliard, 1580 (Philips)
Galliarda 'La Battaglia' (Scheidt)
Glosas sobre el Canto Llano de la Immaculada Concepción (Correa de Arauxo)
Go from my window (Gibbons)
Gray's Inn the 1st (Coprario)
Hackney (Woodcock)
Haleluyáh
Helas madame que feraige (Agricola)
Hermitaño quiero ser (Encina)
Hosanna to the Son of David (Gibbons)
How long wilt thou forget me, O Lord (Ward)
How vain the toils (Byrd)
I was not wearier (Lanier)
Il Canario (Negri)
Il Primo Libro de Madrigali (Rossi)
Il Primo Libro de Madrigali a Quattro Voci (Rossi)
Il Primo Libro delle Sinfonie e Gagliarde (Rossi)
Il Quarto Libro di Varie Sonate, Sinfonie, Gagliarde, Brandi e Corrente (Rossi)
Il Secondo Libro delle Sinfonie e Gagliarde (Rossi)
Il Terzo Libro de Madrigali (Rossi)
Il Terzo Libro di Varie Sonate, Sinfonie, Gagliarde, Brandi e Corrente (Rossi)
In dolci lacci
In nomine a 4 (Taverner)
In nomine a 4 (Tye)
In nomine a 4 No 1 (Tallis)
In nomine a 4 No 2 (Tallis)
In nomine a 5 (Tye)
In nomine a 5 (Ward)
In nomine a 5 No 1 (Ferrabosco Sr.)
In nomine a 5 No 1 (Gibbons)
In nomine a 5 No 2 (Ferrabosco Sr.)
In nomine a 5 No 2 (Gibbons)
In nomine a 5 No 3 (Ferrabosco Sr.)
In nomine a 5 No 3 (Parsons)
In nomine a 6 (Tye)
In nomine a 6 No 1 (Ward)
In nomine a 6 No 2 (Ward)
In nomine 'Beleve me' (Tye)
In nomine 'Blameles' (Tye)
In nomine 'Crye' (Tye)
In nomine 'Farewell my good I. forever' (Tye)
In nomine 'Follow me' (Tye)
In nomine 'Free from all' (Tye)
In nomine 'Howld fast' (Tye)
In nomine I a 4 (Byrd)
In nomine 'I come' (Tye)
In nomine II a 4 (Byrd)
In nomine II a 5 'On the sharp' (Byrd)
In nomine III a 5 (Byrd)
In nomine IV a 5 (Byrd)
In nomine 'My deathe bedde' (Tye)
In Nomine Pavan (Strogers)
In nomine 'Rachell's weepinge' (Tye)
In nomine 'Re la re' (Tye)
In nomine 'Report' (Tye)
In nomine 'Round' (Tye)
In nomine 'Saye so' (Tye)
In nomine 'Seldom sene' (Tye)
In nomine 'Surrexit non est hic' (Tye)
In nomine 'Trust' (Tye)
In nomine V a 5 (Byrd)
In nomine 'Weepe no more Rachell' (Tye)
Intrada (Simpson)
Jesu fili Dei (Smert/Trouluffe)
Joyne hands (Morley)
La Alta (Torre)
La catena d'Amore (Negri)
La Nizzarda (Negri)
La Spagna (Francesco Canova da Milano)
Lachrimae (Dowland)
Lachrimae Amantis
Lachrimae to the Consort (Dowland/Morley)
Lachrimae Tristes
Lady Hunsdon's Almaine (Dowland)
Las, que feray? Ne que je devenray? (Dufay)
Laura soave (Caroso)
Lawdes Deo (Tye)
Let God arise (Ward)
Loquebantur variis linguis (Palestrina)
Lord Hay's Masque (Campion)
Lord Souch his Galliard (Dowland)
Lulla, lulla la, lulla, lullaby
M John Langton Pavan (Dowland)
M. Buctons Galiard
Madrigaletti a due voci (Rossi)
Más vale trocar (Encina)
Mass for four voices (Byrd)
Messaggier di speranza
Miserere a 4 (Byrd)
Mistresse Nichols Almand
Mizmór letodá
Mount up, my soul (Ward)
Move now with measured sound (Campion)
Mrs Winter's Jump (Dowland)
Myn hertis lust (Bedyngham)
Now hath Flora robbed her bowers (Campion)
O castillo de Montagnes (Encina)
O dear life, when may it be (Byrd)
O Domina sanctissima (Peñalosa)
O Domina sanctissima (Peñalosa)
O God that guides the cheerful sun (Byrd)
O Lord, in thy wrath rebuke me not (Gibbons)
O lux beata Trinitas (Tye)
O passi sparsi (Festa)
O sacrum convivium (Gabrieli)
O that most rare breast (Byrd)
Odesha ki anitani
Ohimè, se tanto amate
Olládeme, gentil dona (Encina)
Or vien ça (Janequin)
Padoana (Schein)
Paduan (Dowland)
Paduan (Simpson)
Paduana (Simpson)
Paget Pavan and Galliard (Philips)
Pargoletta, che non sai
Pasameza (Simpson)
Passacaglia (Marini)
Passagi on Lassus's Susanna un jour (Rognoni Taeggio/Lassus)
Passamezzo Pavan (Philips)
Pavan
Pavan
Pavan
Pavan
Pavan (Farmer)
Pavan (Moritz)
Pavan (Philips)
Pavan a 5 (Ferrabosco Sr.)
Pavan a 6 (Gibbons)
Pavan and Galliard (Bassano)
Pavan and Galliard (Bassano/Philips)
Pavan and Galliard (Morley/Philips)
Pavan and Galliard a 5 (Byrd)
Pavan and Galliard a 6 (Byrd)
Pavan and Galliard in F (Philips)
Pavan in C major (Ferrabosco Jr.)
Pavan 'Lord Salisbury' (Gibbons)
Pavan on Susanna un jour (Lupo/Lassus)
Pavan, 1580 (Philips)
Peascod time 'The hunt's up' (Gibbons)
Praise the Lord, O my soul (Ward)
Praise the Lord, O my soule (Jeffreys)
Prayer is an endless chain
Prelude and Goodnight Ground a 5 (Byrd)
Prelude and Ground 'The Queen's Goodnight' (Byrd)
Quemadmodum a 6 (Taverner)
Qui veut mesdire (Binchois)
Recercada primera sobre doulce mémoire (Ortiz)
Recercada primera sobre un canto llano (Ortiz)
Recercada segunda de canto Ilano (Ortiz)
Recercada segunda de tenore (Ortiz)
Regina caeli a 8 (Guerrero)
Rejoice unto the Lord (Byrd)
Ricercar (Simpson)
Ricercar a 4 del duodecimo tuono (Gabrieli)
Ricercar a 4 del primo tuono (Gabrieli)
Ricercar a 4 del sesto tuono (Gabrieli)
Ricercar del quinto tuono (Palestrina)
Ricercar del sesto tuono (Palestrina)
Ricercar on Bonny sweet Robin (Simpson)
Ricercar per sonar a 8 (Gabrieli)
Rimanti in pace
Romanesca (Marini)
Rubum quem (Tye)
Sacred End Pavan and Galliard (Morley)
Saltarello del pass' e mezo – Ballo ongaro (Picchi)
Sarasinetta No 2 (Bendinelli)
Scottish Dance (Brade/McGowan)
Se liesse (Legrant)
Second Dirge Anthem – Thou knowest, Lord, the secrets of our hearts, Z58b (Morley/Purcell)
Semper Dowland semper dolens
Sermone blando a 3 (Byrd)
Sermone blando II a 4 (Byrd)
Sfogava con le stelle
Shir hamma'alót L'David
Sinfonia decima
Sinfonia duodecima
Sinfonia grave: La Zorzi
Sinfonia 'La Gardana', Op 1 (Marini)
Sinfonia 'La Orlandina', Op 1 (Marini)
Sinfonia 'La Ponte', Op 1 (Marini)
Sinfonia prima
Sinfonia quinta
Sinfonia seconda, detta la Emiglia
Sinfonia undecima
Sir George Whitehead his Almaine (Dowland)
Sir Henry Guilford his Almaine (Dowland)
Sir Henry Umptons Funerall
Sir Henry Umpton's Funerall (Dowland)
Sir John Smith his Almaine (Dowland)
Sir John Souch his Galiard
Sir Thomas Collier his Galliard (Dowland)
Sit fast (Tye)
So ys emprinted (Frye)
Sonata 1 (Cima)
Sonata 2 (Cima)
Sonata 28 (Vierdanck)
Sonata 31 'Als ich einmal Lust bekam' (Vierdanck)
Sonata a 6 (Buonamente)
Sonata a 6 (Marini)
Sonata a quattro tromboni (Marini)
Sonata octavi toni a 12, C184 (Gabrieli)
Sonata ottava sopra l'aria è tanto tempo hormai
Sonata per sonar con tre corde a modo di Lira, Op 8 (Marini)
Sonata pian' e forte a 8, alla quarta bassa, C175 (Gabrieli)
Sonata prima (Merula)
Sonata prima 'Semplice' (Marini)
Sonata quarta per sonar con due corde, Op 8 (Marini)
Sonata sopra Fuggi dolente core, Op 12 (Marini)
Sonata terza 'Variata' (Marini)
Sorrow, stay, lend true repentant tears (Dowland)
Southerne's Pavan and Galliard (Morley)
Suzanna (Dowland)
Taundernaken (Senfl)
Te lucis a 4 (Byrd)
The Bull Masque (Bull)
The Cadua (Bateman)
The Earle of Essex Galiard
The First Pavan and Galliard (Byrd)
The King of Denmarks Galiard
The King of Denmark's Health (Hume)
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard (Dowland)
The Passymeasures Galliard (Danyel)
The Prince's Alman (Johnson)
The Prince's Coranto (Johnson)
The Satyrs Dance (Johnson)
The Shoemaker's Wife 'A Toy' (Dowland)
The silver swan (Gibbons)
The Tempest (Johnson)
The Temporiser (Johnson)
The Virgin's Muse (Hume)
The Witches' Dance (Johnson)
The Witty Wanton (Johnson)
This is a joyful, happy holy day (Ward)
Tiento de primero tono (Peraza)
Tiento de segundo tono (Correa de Arauxo)
Tiento No 28, de septimo tono (Correa de Arauxo)
Tiento No 41, de dozeno tono (Correa de Arauxo)
Tirsi mio, caro Tirsi
Toccata – Perle care (Piccinini/Strozzi)
Toccata No 26 (Bendinelli)
Udite, lacrimosi spirti d'Averno
Una sañosa porfia (Encina)
Ut re mi fa sol la (Parsons)
Vamos, vamos a cenar (Encina)
Variations on the Ruggiero (Notari)
Vedrò 'l mio sol
Vestiva i colli (Bassano)
Vuestros amores e señora (Encina)
Was wird es doch des wunders noch (Senfl)
Wat zal men op den Avond doen (Eyck)
Weep you no more (Dowland)
When David Heard that Absalon was Slain (East)
Who likes to love (Byrd)
Why stays the bridegroom to invade (Ferrabosco Jr.)
Woo her, and win her (Campion)
Ye sacred Muses (Byrd)
You meaner beauties of the night (East)
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