Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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¡Viva Ignacio! ¡Viva! (Fernandes)
A Bellman's Song (Ravenscroft)
A Coy Joy (Dowland/Denoth)
A Fancie, BK46 (Byrd)
A Fancie, for my Ladye Nevell (Byrd)
A Fancie, for my Ladye Nevell, BK25 (Byrd)
A fancy (Danyel)
A fancy (Dowland)
A fancy (Dowland/Denoth)
A fantasie (Dowland)
A Galliard, BK77 (Byrd)
A Galliarde Gygge, BK18 (Byrd)
A Gallyard by Mr Dan Bacheler (Bacheler)
A Gallyard upon the Gallyard before (Dowland)
A Gigg 'F. Tr.', BK22 (Byrd)
A great and mighty wonder
A Grounde, BK43 (Byrd)
A Grounde, BK86 (Byrd)
A Grounde, BK9 (Byrd)
A Horne Pipe, BK39 (Byrd)
À la chapelle Sixtine – Miserere d'Allegri et Ave verum corpus de Mozart, S461ii (Liszt/Allegri/Mozart)
À la chapelle Sixtine – Miserere d'Allegri et Ave verum de Mozart, S461i (Liszt/Allegri/Mozart)
A Lesson of Voluntarie, two parts in one in the 4th above, BK26 (Byrd)
A Pavin (Johnson)
A Pavin (Johnson)
A Pavin (Johnson)
A Pavin and Galliard, BK33 (Byrd)
A Pavion and The Galliard to it, BK72 (Byrd)
A Pavion and The Galliard, BK23 (Byrd)
A Pavyn and Galliard, BK16 (Byrd)
A Preludium, BK116 EKM4 (Byrd)
A Sad Pavan for these distracted times (Tomkins)
A solis ortus cardine / Beatus auctor saeculi (Praetorius)
A Verse of Two Parts, BK28 (Byrd)
A Volte (Mercure d'Orléans)
A Volte (Sturt)
A Voluntarie, BK27 (Byrd)
A Voluntarie, for my Ladye Nevell (Byrd)
A Voluntarie, for my Ladye Nevell, BK61 (Byrd)
Ab aeterno ordinata sum, SV262 (Monteverdi)
Ab oriente venerunt Magi – Aurum, sicut regi magno (Sweelinck)
Ab ortu solis (Byrd)
Above the stars my Saviour dwells (Tomkins)
Ad te levavi (Anerio)
Adieu bergère pour jamais (Guédron)
Adieu, bergère
Adieu, sweet Amaryllis (Wilbye)
Adieu, ye city-prisoning towers (Tomkins)
Adoramus te, Christe (Monteverdi)
Affetti musicali, Op 1 (Marini)
Afflicti pro peccatis nostris (Byrd)
Agnus Dei (Mancini)
Ah dear heart (Gibbons)
Ah silly soul (Byrd)
Air in G minor (Johnson)
Airs de cour (Besard)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 16 (Boësset)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 5 (Boësset)
Airs de cour avec la tablature de luth d'Antoine Boesset Book 9 (Boësset)
Airs de cour eet de différents auteurs Book 5 (Boësset)
Al mormorar de liquidi cristalli (Gastoldi)
All as a sea (Byrd)
All creatures now (Bennet)
All glory, laud and honour
All in a garden greene, BK56 (Byrd)
All laud and praise (Weelkes)
All looks be pale (Campion)
All ye whom Love or Fortune hath betrayed (Dowland)
Allein Gott in der Höh sei Ehr (Sweelinck)
Alleluia – Ave Maria (Byrd)
Alleluia! I heard a voice (Weelkes)
Alleluia. Ave Maria … in mulieribus. Alleluia. Virga Iesse (Byrd)
Alleluia. Cognoverunt discipuli (Byrd)
Allmayne 'Hit it and take it' (Johnson)
Allmayne 'The Prince's Almain' (Johnson)
Allons aux noces
Alma redemptoris mater (Fernandez)
Alma redemptoris mater a 8 (Philips)
Alman (Ferrabosco Jr.)
Alman 'Aria' (Ferrabosco Jr.)
Alman in C major (Ferrabosco Jr.)
Alman Tregian (Philips)
Alman, BK11 (Byrd)
Almand in G major (Taylor/Simpson)
Almande (Simpson)
Almande (Simpson)
Almande Tregian (Philips)
Almighty and everlasting God (Gibbons)
Almighty God, the fountain of all wisdom (Tomkins)
Altri canti d'Amor, SV146 (Monteverdi)
Amarilli mia bella (Caccini/Lawrence-King)
Amarilli mia bella (Eyck)
Amo Christum (Grandi)
An aged dame (Byrd)
An Alman, BK117 EKM30 (Byrd)
An Almane, BK89 (Byrd)
Ancidetemi pur (Trabaci)
Ancor che col partire (Rore/Rognoni)
And is it night? Are they thine eyes that shine? (Jones)
And the king was moved (Dering)
Angelus ad pastores ait (Sweelinck)
Anima mea Dominum
Apparebit in finem (Byrd)
Aria (Philips/Simpson)
Aria del Gran Duca Ferdinando di Toscana (Cavalieri/Philips)
Aria detta ballata (Frescobaldi)
Aria detta la Frescobalda (Frescobaldi)
Aria 'Mrs Nichols Almand' (Dowland)
Arm, arm! the scouts are come in (Johnson)
As I walked forth, or The Deceased Maiden Lover (Johnson)
As Vesta was from Latmos hill descending (Weelkes)
Ascendit Deus (Philips)
Ascendit Deus (Philips)
Asperges me (Magalhães)
Asperges me (Mendes)
Assumpta est Maria (Byrd)
Assumpta est Maria (Byrd)
Attollite portas (Byrd)
Audi caelum
Audi caelum
Audite principes (Gabrieli)
Audivi vocem de caelo (Byrd)
Audivi vocem de caelo (Lôbo)
Author of Light (Campion)
Ave Jesu Christe (Philips)
Ave Maria (Byrd)
Ave Maria (Byrd)
Ave Maria (Lobo)
Ave Maria (Pedro de Cristo)
Ave maris stella
Ave maris stella
Ave maris stella (Byrd)
Ave maris stella (Grandi)
Ave maris stella (Pedro de Cristo)
Ave maris stella (Rodrigues Coelho)
Ave regina caelorum (Lobo)
Ave verum corpus (Byrd)
Ave verum corpus (Dering)
Ave verum corpus (Philips)
Ave virgo gloriosa (Dering)
Awake Sweet Love (Dowland/Denoth)
Awake, sweet love, thou art returned (Dowland)
Away with these self-loving lads (Dowland)
Ayre – Alman – Toy – Coranto – Mr Sanders His Delight (Gibbons)
Balla d'Amore (Tregian/Philips)
Ballet
Ballet (Anon/Praetorius)
Ballet des Baccanales – Ballet des feus – Ballet des matelotz (Anon/Praetorius)
Ballet des coqs (Praetorius)
Ballet du Roy pour sonner apres (Praetorius)
Balletto La Sirena (Gastoldi)
Ballo de Gran Duca (Besard)
Ballo del granduca (Sweelinck)
Ballo detto il Conte Orlando (Molinaro)
Ballo Ungaro (Picchi)
Be strong and of a good courage (Tomkins)
Beata Dei genitrix a 8 (Philips)
Beata es, Virgo Maria (Byrd)
Beata es, Virgo Maria (Byrd)
Beata viscera (Byrd)
Beata viscera (Byrd)
Beata viscera Mariae (Pedro de Cristo)
Beate martir (Pedro de Cristo)
Beati estis (Philips)
Beati mundo corde (Byrd)
Beati omnes qui timent Dominum – Ecce sic benedicetur homo (Sweelinck)
Beati pauperes spiritu – Beati misericordes (Sweelinck)
Beatus vir 1650 (Monteverdi)
Beatus vir I a 6 voci concertato 1640 (Monteverdi)
Beauty, since you so much desire (Campion)
Beaux yeux
Behold a wonder here (Dowland)
Behold it is Christ (Hooper)
Behold, the hour cometh (Tomkins)
Behold, thou hast made my days (Gibbons)
Bells – Intrada tertia – Intrada sexta – Intrada septima – Trumpet Sonata No 333 (Hassler/Bendinelli)
Benedicamus Domino (Fernandez)
Benedicta et venerabilis – Virgo Dei genetrix (Byrd)
Benedicta et venerabilis (Byrd)
Benedictio mensae (Praetorius)
Benedictus
Benedictus Deus noster (Philips)
Benedictus Dominus (Philips)
Bergamasco (Besard)
Blame not my cheeks (Campion)
Blessed are all they that fear the Lord (Gibbons)
Blessed be the Lord God (Amner)
Blessed be the Lord God of Israel
Blow out the trumpet in Sion (Peerson)
Boffons (Eyck)
Bon jour mon cueur (Lassus/Philips)
Bonum est praestolari
Bow thine ear (Byrd)
Branles de village (Ballard)
Bransle de villages (Praetorius)
Bransle simple (Caroubel/Praetorius)
Bransles (Caroubel/Praetorius)
Bransles de village (Besard)
Break now, my heart, and die (Campion)
Bring away this sacred tree (Lanier)
Browning a 5 'The leaves be green' (Byrd)
Burst forth, my tears (Dowland)
Caecilia virgo (Philips)
Caligaverunt oculi mei (Castro y Malagaray)
Calleano custure me (Byrd)
Callino Casturame, BK35 (Byrd)
Can doleful notes? (Danyel)
Can she excuse my wrongs? (Dowland)
Cantantibus organis Cecilia (Philips)
Cantate Domino (Byrd)
Cantate Domino (Hassler)
Cantate Domino a 2 1615 (Monteverdi)
Cantate Domino a 6 voci 1620 (Monteverdi)
Cantate Domino canticum novum (Sweelinck)
Canzon (Grabbe)
Canzon (Simpson)
Canzon (Simpson)
Canzon dopo l'Epistola (Frescobaldi)
Canzon duodecimi toni (Hassler)
Canzon duodecimi toni a 10, C177 (Gabrieli)
Canzon duodecimi toni a 10, C178 (Gabrieli)
Canzon duodecimi toni a 10, C179 (Gabrieli)
Canzon duodecimi toni a 8, C174 (Gabrieli)
Canzon in echo duodecimi toni a 10, C180 (Gabrieli)
Canzon in echo duodecimi toni a 10, per concertar con l'organo, C181 (Gabrieli)
Canzon 'La Paglia' (Erbach)
Canzon No 14 a 6 (Picchi)
Canzon No 15 a 6 (Picchi)
Canzon No 17 a 8 (Picchi)
Canzon No 18 a 8 (Picchi)
Canzon No 19 a 8 (Picchi)
Canzon noni toni (Hassler)
Canzon noni toni a 12, C183 (Gabrieli)
Canzon noni toni a 8, C173 (Gabrieli)
Canzon primi toni a 10, C176 (Gabrieli)
Canzon primi toni a 8, C170 (Gabrieli)
Canzon quarti toni a 15, C185 (Gabrieli)
Canzon septimi toni a 12, C182 (Gabrieli)
Canzon septimi toni a 8, C171 (Gabrieli)
Canzon septimi toni a 8, C172 (Gabrieli)
Canzona prima a 5, C195 (Gabrieli)
Canzona Quarta a due, conto e basso (Frescobaldi)
Canzona seconda a 6, C196 (Gabrieli)
Canzona secundi toni (Erbach)
Canzona super Cantionem Gallicam 'Est-ce Mars?' (Scheidt)
Canzona terza a 6, C197 (Gabrieli)
Capriccio cromatico del primo tono (Merula)
Captain Digorie Piper his Pavan and Galliard (Dowland)
Captain Digorie Piper's Galliard (Dowland/Denoth)
Captaine Digorie Piper his Galiard
Captaine Digorie Piper his Pavan (Dowland)
Care-charming sleep (Johnson)
Carters, now cast down (Farnaby)
Cent cinquante Psaumes de David (Sweelinck)
Cesar's Service (Amner)
C'est malheur
Chi fara fed'al cielo (Striggio/Philips)
Christ rising again from the dead (Byrd)
Christe eleison (Soriano)
Christe qui lux es (Byrd)
Christe qui lux es I a 4 (Byrd)
Christe qui lux es II a 4 (Byrd)
Christe qui lux es III a 4 (Byrd)
Christe qui lux est et dies (Sweelinck)
Christe qui lux, BK121 EECM6/34 (Byrd)
Christe redemptor omnium (Anerio)
Christe redemptor omnium a 4 (Byrd)
Christe redemptor omnium 'Himnus unius Martyris' 1640 (Monteverdi)
Christe, adoramus te (Monteverdi)
Christus factus est
Christus factus est (Anerio)
Christus resurgens (Byrd)
Christus resurgens (Philips)
Ciaccona (Kapsberger)
Ciaccona (Merula)
Ciacono (Frescobaldi)
Cibavit eos (Byrd)
Circumdederunt me (Byrd)
Circumdederunt me (Fernandez)
Civitas sancti tui
Clarifica me, Pater I, BK47 (Byrd)
Clarifica me, Pater II, BK48 (Byrd)
Clarifica me, Pater III, BK49 (Byrd)
Combattimento di Tancredi e Clorinda, SV153 (Monteverdi)
Come again, sweet love doth now invite (Dowland)
Come ashore, merry mates (Coprario)
Come away, come sweet love (Dowland)
Come away, Hecate (Johnson)
Come to me, grief, for ever (Byrd)
Come, cheerful day (Campion)
Come, cheerful day, part of my life to me (Campion)
Come, gentle swains (Cavendish)
Come, heavy Sleep (Dowland)
Come, let's rejoice (Amner)
Come, sable night (Ward)
Come, you pretty false-eyed wanton (Campion)
Commissa mea pavesco (Magalhães)
Commissa mea pavesco (Morago)
Confitebor tibi Domine 'Alla francese', SV267 (Monteverdi)
Confitebor tibi Domine, SV194 (Monteverdi)
Confitebor tibi Domine, SV266 (Monteverdi)
Confitebor tibi I a 3 voci con 5 altre voci ne ripieni 1640 (Monteverdi)
Consider, all ye passers by (Amner)
Constant Penelope (Byrd)
Constitues eos principes (Byrd)
Contristatus est David (Dering)
Coperario (Coprario)
Cornish Dance (Brade)
Corranto, BK45 (Byrd)
Così morirò
Courante
Courante 'Battaglia' (Anon/Praetorius)
Courante de Mars
Courante 'Grimstock' (Praetorius)
Courante 'I care not for these ladies' (Campion/Praetorius)
Courante 'Light of love' (Praetorius)
Courante 'Mistris Winter's Jump' (Dowland/Praetorius)
Courante 'Packington's Pound' (Praetorius)
Courante 'Wilson's Wild' (Anon/Praetorius)
Courantes 1 and 2 (Simpson)
Coy Daphne fled (Danyel)
Credo quod redemptor (Lobo)
Creed
Cruel unkind (Ward)
Cunctis diebus (Byrd)
Currite populi a voce sola e B.c. (Monteverdi)
Da Jesus an dem Kreuze stund (Schein)
Dabit percutienti se maxillam
Dainty fine bird (Gibbons)
Dances from Terpsichore (Praetorius/Caroubel)
Darà la notte il sol lume alla terra
De lamentatione Jeremiae prophetae
De lamentatione Jeremiae prophetae (Allegri)
De lamentatione Jeremiae prophetae (Byrd)
De profundis (Morago)
De profundis clamavi ad te (Sweelinck)
Death hath deprived me (Weelkes)
Deo gratias (Byrd)
Deposuit potentes de sede
Deposuit potentes de sede
Der 100. Psalm, SWV36 (Schütz)
Derde Doen Daphne d'over (Eyck)
Descendit de caelis (Byrd)
Det är en ros utsprungen
Deus in adiutorium meum intende
Deus in adiutorium meum intende
Deus omnipotens (Peerson)
Deus qui beatum Marcum a 10 (Gabrieli)
Deus tuorum militum, SV280 (Monteverdi)
Die Himmel erzählen die Ehre Gottes, SWV386 (Schütz)
Die not, fond man (Ward)
Die Weihnachtshistorien 'The Christmas story', SWV435 (Schütz)
Diffusa est gratia (Byrd)
Diffusa est gratia (Byrd)
Diligam te Domine, fortitudo mea (Sweelinck)
Diliges Dominum (Byrd)
Ditelo, o fiumi, e voi ch'udiste Glauco
Divine Amaryllis (Boësset)
Divisions on the Dolorosa Pavan (A Kempis/Philips)
Dixit Dominus
Dixit Dominus
Dixit Dominus I a 8 voci concertato 1640 (Monteverdi)
Dixit Dominus II 1640 (Monteverdi)
Dixit Dominus II 1650 (Monteverdi)
Dixit Maria (Hassler)
Diyecegim kelimâtìmì
Doen Dafne over de schoene maeght (Eyck)
Dolorosa Pavan and Galliard (Philips)
Domine Dominus noster (Hassler)
Domine, exaudi orationem meam, inclina (Byrd)
Domine, ne in furore 1620 (Monteverdi)
Domine, non sum dignus (Byrd)
Domine, quis habitabit? (Byrd)
Domine, salva nos (Byrd)
Dominus Deus meus in te sperabo (Sweelinck)
Dost thou withdraw thy grace? (Danyel)
Down, caitiff wretch (Ward)
Draw on, sweet night (Wilbye)
Drop not, mine eyes
Drop, drop, slow tears
Drop, drop, slow tears
Drop, drop, slow tears – Song 46 (Gibbons)
Dunque, amate reliquie, un mar di pianto
Duo Seraphim
Duo Seraphim
Ecce non dormitabit
Ecce nunc benedicite Dominum (Sweelinck)
Ecce panis angelorum a 8 (Philips)
Ecce prandium meum paravi – Comedite panem meum (Sweelinck)
Ecce quam bonum (Byrd)
Ecce sacrum paratum a voce sola e B.c. (Monteverdi)
Ecce vicit Leo (Philips)
Ecce vicit Leo (Philips)
Ecce virgo concipiet (Byrd)
Ecce virgo concipiet (Byrd)
Ecce virgo concipiet (Byrd)
Ecce virgo concipiet et pariet filium (Sweelinck)
Echo fantasia 'Ionian' (Sweelinck)
Ego dormio a 2 voci e B.c. (Monteverdi)
Ego sum panis vivus (Byrd)
Ei l'armi cinse, e su destrier alato
Emendemus in melius (Byrd)
Engelsche fortuyn (Sweelinck)
Entrée de luth
Erbarm dich mein, o Herre Gott (Sweelinck)
Erbarm dich mein, o Herre Gott, SWV447 (Schütz)
Es ist ein Ros' entsprungen (Praetorius)
Es ist ein Ros' entsprungen (Praetorius/Pedersen)
Es ist ein Ros' entsprungen (Praetorius/Sandström)
Est ce Mars
Est-ce Mars? (Sweelinck)
Esto mihi (Morago)
Esurientes implevit bonis
Esurientes implevit bonis
Et ascendit in caelum (Soriano)
Et exultavit spiritus meus
Et exultavit spiritus meus
Et in Spiritum Sanctum (Giovannelli)
Et misericordia eius
Et misericordia eius
Euge serve bone et fidelis (Sweelinck)
Exsurge (Morago)
Exsurge, quare obdormis, Domine? (Byrd)
Exulta, filia Sion (Monteverdi)
Exultate iusti (Viadana)
Exultavit cor meum in Domino, C53 (Gabrieli)
Exultent caeli a 5 (Monteverdi)
Exultet iam angelica turba, C131 (Gabrieli)
Eyes, look no more (Danyel)
Fac cum servo tuo (Byrd)
Factum est silentium (Dering)
Fain would I wed (Campion)
Fair Oriana, seeming to wink at folly (Jones)
Fair, if you expect admiring (Campion)
Fancy (Blancks)
Fancy in C fa ut (Gibbons)
Fancy in Gamutt flatt (Gibbons)
Fantasia (Dlugoraj)
Fantasia (Johnson)
Fantasia (Rosseter)
Fantasia a 4 (Gibbons)
Fantasia a 4 No 1 (Ward)
Fantasia a 4 No 2 (Ward)
Fantasia a 4 No 3 (Ward)
Fantasia a 4 No 4 (Ward)
Fantasia a 4 No 5 (Ward)
Fantasia a 4 No 6 (Ward)
Fantasia a 5 No 1 (Ward)
Fantasia a 5 No 10 (Ward)
Fantasia a 5 No 11 'Cor mio' (Ward)
Fantasia a 5 No 12 'Leggiadra sei' (Ward)
Fantasia a 5 No 13 'Non fu senze' (Ward)
Fantasia a 5 No 2 'La Rondinella' (Ward)
Fantasia a 5 No 3 (Bassano)
Fantasia a 5 No 3 (Ward)
Fantasia a 5 No 4 (Ward)
Fantasia a 5 No 5 (Ward)
Fantasia a 5 No 6 (Ward)
Fantasia a 5 No 7 (Ward)
Fantasia a 5 No 8 (Ward)
Fantasia a 5 No 9 (Ward)
Fantasia a 5 'Two parts in one in the fourth above' (Byrd)
Fantasia a 6 (Coprario)
Fantasia a 6 No 1 (Gibbons)
Fantasia a 6 No 1 (Ward)
Fantasia a 6 No 2 (Gibbons)
Fantasia a 6 No 2 (Ward)
Fantasia a 6 No 3 (Gibbons)
Fantasia a 6 No 3 (Ward)
Fantasia a 6 No 4 (Gibbons)
Fantasia a 6 No 4 (Ward)
Fantasia a 6 No 5 (Gibbons)
Fantasia a 6 No 5 (Ward)
Fantasia a 6 No 6 (Gibbons)
Fantasia a 6 No 6 (Ward)
Fantasia a 6 No 7 (Ward)
Fantasia 'a-Phrygian' (Sweelinck)
Fantasia chromatica (Sweelinck)
Fantasia for three trebles in G minor (Johnson)
Fantasia I a 3 (Byrd)
Fantasia I a 4 (Byrd)
Fantasia I a 6 'A song of two basses' (Byrd)
Fantasia II a 3 (Byrd)
Fantasia II a 6 (Byrd)
Fantasia III a 3 (Byrd)
Fantasia III a 4 (Byrd)
Fantasia III a 6 'To the vyolls' (Byrd)
Fantasia in G (Philips)
Fantasia No 6 (Dowland)
Fantasia No 7 (Dowland)
Fantasia sub Elevatione (Erbach)
Fantasia, BK13 (Byrd)
Fantasia, BK62 (Byrd)
Fantasia, BK63 (Byrd)
Fantasias a 3 (Gibbons)
Fantasias a 3 'for great double bass' (Gibbons)
Fantasias a 4 'for the great double bass' (Gibbons)
Fantasies a 4 (Lupo)
Fantasy a 3 No 1 (Gibbons)
Fantasy a 3 No 2 (Gibbons)
Fantasy a 3 No 3 (Gibbons)
Fantasy a 3 No 4 (Gibbons)
Fantasy-airs a 3 (Lupo)
Fantasy-airs a 4 (Lupo)
Fantazia of foure parts (Gibbons)
Fantazia of foure parts (Gibbons)
Far from triumphing court (Dowland)
Farewell, fond youth (Jones)
Farnaby's Conceit (Farnaby)
Fece da voi partita (Philips)
Fecit potentiam in brachio suo
Fecit potentiam in brachio suo
Felix es, sacra Virgo (Byrd)
Felix es, sacra Virgo (Byrd)
Felix namque es (Byrd)
Fine knacks for ladies (Dowland)
Fire, fire, fire! (Campion)
Flora gave me fairest flowers (Wilbye)
Flow not so fast, ye fountains (Dowland)
Flow, my tears, fall from your springs (Dowland)
Flow, O my tears (Dowland)
Folie (Corbetta)
Folie in G minor (Corbetta)
Fortune (Dowland/Denoth)
Fortune my foe (Dowland)
Fortune my Foe, Farewell Delight, BK6 (Byrd)
Freno Tirsi il desio
From silent night (Dowland)
From the famous peak of Derby (Johnson)
Full fathom five (Johnson)
Gagliarda Quarta, alla Spagnola (Trabaci)
Gagliarda Terza a 4, detta la Talianella (Trabaci)
Gagliarda Terza a 5, sopra La Mantoana (Trabaci)
Gaillarde
Gaillarde 284 (Caroubel/Praetorius)
Gaillarde 285 (Caroubel/Praetorius)
Galiardo Mistris Marye Brownlo, BK34 (Byrd)
Galliard
Galliard
Galliard
Galliard
Galliard
Galliard
Galliard (Philips)
Galliard (Philips)
Galliard (Simpson)
Galliard (Simpson)
Galliard (Simpson)
Galliard a 6 (Gibbons)
Galliard 'Coranto' (Bassano/Philips)
Galliard, 1580 (Philips)
Galliard, BK53 (Byrd)
Galliarda 'La Battaglia' (Scheidt)
Gaude et laetare, Jerusalem (Sweelinck)
Gaude Maria (Byrd)
Gaudeamus omnes (Byrd)
Gaudeamus omnes … Sanctorum omnium (Byrd)
Gaudeamus omnes in Domino (Byrd)
Gaudens gaudebo (Philips)
Gaudete omnes (Praetorius)
Gaudete omnes et laetamini (Sweelinck)
Get you hence (Johnson)
Giles Farnaby's Dream (Farnaby)
Give ear, O Lord (Weelkes)
Give the king thy judgements (Weelkes)
Give the king thy judgements, O God (Rutter/Gibbons)
Gloria in excelsis Deo (Weelkes)
Gloria in excelsis Deo a 7 voci (Monteverdi)
Gloria Patri
Gloria Patri
Gloria tibi Trinitas, BK50 (Byrd)
Glorious and powerful God (Gibbons)
Glory be to God on high (Amner)
Glory be to God on high (Tomkins)
Glosas sobre el Canto Llano de la Immaculada Concepción (Correa de Arauxo)
Go from my window (Anon/Dowland)
Go from my window (Gibbons)
Go from my window, BK79 (Byrd)
Go nightly cares (Dowland)
Go, crystal tears (Dowland)
Go, happy man (Coprario)
Gray's Inn the 1st (Coprario)
Great king of gods (Gibbons)
Great Lord of Lords (Gibbons)
Great Service (Hooper)
Grief keep within
Grief of my best love's absenting (Jones)
Gustate et videte (Allegri)
Gypseis Round, BK80 (Byrd)
Ha ha! This world doth pass (Weelkes)
Haec dicit Dominus (Byrd)
Haec dies (Byrd)
Harding's Galliard, BK55 (Byrd)
Hark! all ye lovely saints (Weelkes)
Hark! hark! the lark (Johnson)
Hark! Wot ye what? (Jones)
Have all our passions?
Have with yow to Walsingame, BK8 (Byrd)
He whose desires are still abroad (Danyel)
He whose desires are still abroad (Danyel)
Hear, O Lord (Amner)
Hence stars, too dim of light (East)
Her rosy cheeks, her ever smiling eyes (Campion)
Heth
Heureux qui nuit et jour (Guédron)
Hic est sacerdos (Erbach)
His golden locks Time hath to silver turned (Dowland)
His Humour (Farnaby)
His Rest (Farnaby)
Hodie beata virgo Maria puerum Jesum praesentavit (Sweelinck)
Hodie Christus natus est (Sweelinck)
Hodie Christus natus est a 8 (Gabrieli)
Hodie Christus natus est, SWV456 (Schütz)
Hodie completi sunt dies Pentecostes, C57 (Gabrieli)
Hodie concepta est (Philips)
Hodie nobis de caelo (Pedro de Cristo)
Hodie nobis de caelo (Philips)
Hodie Simon Petrus (Byrd)
Hope of my heart (Ward)
Hora nona (Peerson)
Hosanna to the Son of David (Gibbons)
Hosanna to the Son of David (Gibbons)
Hosanna to the Son of David (Weelkes)
Hosanna to the Son of David (Weelkes)
How long shall mine enemies? (Byrd)
How long wilt thou forget me, O Lord (Ward)
How long wilt thou forget me, O Lord for ever
How vain the toils (Byrd)
Hugh Ashton's Grownde, BK20 (Byrd)
Humour, say what mak'st thou here (Dowland)
Hymn Tune Prelude on Song 13 (Gibbons/Vaughan Williams)
I believe in one God
I care not for these ladies (Campion)
I die whenas I do not see (Danyel)
I diletti di mundo (Michi)
I have entreated (Ward)
I must complain (Dowland)
I saw my lady weep (Dowland)
I was not wearier (Lanier)
I will sing unto the Lord as long as I live (Amner)
I will sing unto the Lord, for he hath triumphed gloriously (Amner)
Iam moriar, mi fili 'Pianto della Madonna' (Monteverdi)
Ich bin ein rechter Weinstock (Schütz)
Ich ruf' zu dir, Herr Jesu Christ (Sweelinck)
Ick voer al over Rhijn (Sweelinck)
If heaven's just wrath (Ward)
If I could shut the gate (Danyel)
If King Manasses (Weelkes)
If my complaints could passions move (Dowland)
If my complaints, or Pyper's Galliard, BK118 EKM26 (Byrd)
If the deep sighs (Ward)
If thou long'st so much to learn (Campion)
If ye be risen again with Christ (Gibbons)
Il ballo delle ingrate (Monteverdi)
Il ritorno d'Ulisse in patria (Monteverdi)
In a merry May morn (Nicholson)
In darkness let me dwell (Coprario)
In darkness let me dwell (Dowland)
In dulci iubilo (Praetorius)
In dulci iubilo (Scheidt)
In ecclesiis, C78 (Gabrieli)
In illo tempore postquam consummati sunt (Sweelinck)
In manus tuas (Pedro de Cristo)
In manus tuas, Domine (Byrd)
In monte Oliveti oravit ad Patrem
In nomine a 5 (Ward)
In nomine a 5 No 1 (Gibbons)
In nomine a 5 No 2 (Gibbons)
In nomine a 6 No 1 (Ward)
In nomine a 6 No 2 (Ward)
In nomine I a 4 (Byrd)
In nomine II a 4 (Byrd)
In nomine II a 5 'On the sharp' (Byrd)
In nomine III a 5 (Byrd)
In nomine IV a 5 (Byrd)
In nomine V a 5 (Byrd)
In spiritu humilitatis (Croce)
In te Domine speravi – Quoniam fortitudo mea et refugiom meum es tu (Sweelinck)
Incenerite spoglie, avara tomba
Incipit lamentatio Jeremiae prophetae (Allegri)
Infelix ego (Byrd)
Intenerite voi (Notari)
Inter vestibulum (Pedro de Cristo)
Intonazione noni toni, C247b (Gabrieli)
Intonazione primo tono (Gabrieli)
Intonazione quinto tono alla quarta bassa (Gabrieli)
Intrada (Simpson)
Iod
Iste confessor Domini sacratus, SV279 (Monteverdi)
It fell on a summer's day (Campion)
It was a time when silly bees could speak (Dowland)
Ite caldi sospiri (Jones)
Ite missa est – Deo gratias (Anon/Rodrigues Coelho)
Iubilate Deo (Gabrieli)
Iubilate Deo omnis terra, C65 (Gabrieli)
Iusti autem in perpetuum vivent (Sweelinck)
Iustorum animae (Byrd)
Jauchzet dem Herren
Jerusalem, Jerusalem, convertere ad Dominum Deum tuum
Jesu, grant me this, I pray (Gibbons/Bairstow)
Jhon come kisse me now, BK81 (Byrd)
Jod. Manum suam misit hostis ad omnia desiderabilia eius
Joseph, lieber Joseph mein (Praetorius)
Jubilate
Jubilate Deo omnis terra (Philips)
Kapsberger (Kapsberger)
Kyrie
Kyrie eleison
Kyrie, C71-73 (Gabrieli)
La bourrée (Praetorius)
La canarie (Praetorius)
La Courante Sarabande (Ballard)
La sarabande (Praetorius)
La Veneziana 'Canzona' (Viadana)
La voila la nacelle d'amour
La Volta L. Morley, BK90 (Byrd)
La Volta, BK91 (Byrd)
Laboravi in gemitu meo (Peerson)
Laboravi in gemitu meo (Weelkes)
Lachrimae (Dowland)
Lachrimae Amantis
Lachrimae Pavan (Dowland/Denoth)
Lachrimae to the Consort (Dowland/Morley)
Lachrimae Tristes
Lachrimans sitivit anima mea (Pedro de Cristo)
Lady Hunsdon's Almaine (Dowland)
Lady Montegle's Paven, BK75 (Byrd)
Lady Rich, her Galliard (Dowland/Denoth)
Laetania (Byrd)
Laetatus sum
Laetatus sum
Laetatus sum I (Monteverdi)
Laetentur caeli (Byrd)
Laetentur caeli (Morago)
Lamentations (Lobo)
Lamentations for Maundy Thursday 'Feria quinta in Coena Domini' (Cardoso)
Lamento d'Olimpia (Monteverdi)
Las Vacas Espagnole (Corbetta)
Lasso vita mia (Dowland)
Latus eius
Lauda Ierusalem I a 3 (Monteverdi)
Lauda Jerusalem
Lauda Jerusalem
Laudate Dominum (Anon/Viadana)
Laudate Dominum (Praetorius)
Laudate Dominum omnes gentes (Sweelinck)
Laudate Dominum omnes gentes a 5 concertato 1640 (Monteverdi)
Laudate Dominum omnes gentes III 1640 (Monteverdi)
Laudate Dominum omnes gentes, SV197 (Monteverdi)
Laudate Dominum, omnes gentes (Byrd)
Laudate pueri
Laudate pueri
Laudate pueri I a 5 concertato (Monteverdi)
Laudibus in sanctis (Byrd)
Le secret des Muses (Vallet)
Leave prolonging thy distress (Campion)
Let God arise (Ward)
Let not Chloris think (Danyel)
Letaniae della Beata Vergine a 6 voci (Monteverdi)
Levavi oculos meos (Peerson)
Levemus corda (Byrd)
Libera me, Domine (Lobo)
Lieto godea sedendo (Gabrieli)
Like as the lute delights (Danyel)
Litania duodecima (Philips)
Litaniae Beatae Mariae Virginis, C63 (Gabrieli)
Lo, how a Rose e'er blooming
Lord Hay's Masque (Campion)
Lord Souch his Galliard (Dowland)
Lord Strang's March (Dowland/Denoth)
Lord Willobies Welcome Home 'Rowland', BK7 (Byrd)
Lord, have mercy upon us
Lord, now lettest thou thy servant depart in peace
Lord, now lettest thou thy servant depart in peace
Lord, now lettest thou thy servant depart in peace
Loth to depart (Dowland)
Love of the Father
Lulla, lulla la, lulla, lullaby
M John Langton Pavan (Dowland)
M. Buctons Galiard
Ma belle, si ton ame (Anon/Besard)
Ma te raccoglie, o ninfa, in grembo 'l cielo
Magnificat
Magnificat
Magnificat
Magnificat
Magnificat
Magnificat
Magnificat
Magnificat – Anima mea Dominum
Magnificat (Le Jeune/Titelouze)
Magnificat (Pedro de Cristo)
Magnificat a 6 (Monteverdi)
Magnificat anima mea Dominum (Sweelinck)
Magnificat I a 8 voci 1640 (Monteverdi)
Magnificat II 1640 (Monteverdi)
Magnificat octavi toni (Vivanco)
Magnificat quarti toni (Praetorius)
Magnificat quinti toni – Joseph, lieber Joseph mein – In dulci iubilo (Praetorius)
Magnificat quinti toni (Anerio)
Magnificat quinti toni (Praetorius)
Magnificat secundi toni (Cardoso)
Magnificat secundi toni (Praetorius)
Magnificat sexti toni (Schoendorff)
Magnificat, C75 (Gabrieli)
Magnificat, C79 (Gabrieli)
Maids to bed and cover cole
Make ye joy to God all the earth (Byrd)
Maledetto sia l'aspetto (Monteverdi)
Malle Sijmen (Sweelinck)
Maria virgo, C35 (Gabrieli)
Mark how the blushful morn
Martin said to his man (Ravenscroft)
Mass for five voices (Byrd)
Mass for four voices (Byrd)
Mass for four voices (Byrd)
Mass for three voices (Byrd)
Mein junges Leben hat ein End' (Sweelinck)
Melancholy Galliard (Dowland/Denoth)
Memento Domine David a 8 voci da Capella (Monteverdi)
Memento, salutis auctor (Byrd)
Messa a 4 da Cappella 1640 (Monteverdi)
Messa a 4 da Cappella 1650 (Monteverdi)
Miserere a 4 (Byrd)
Miserere I, BK66 (Byrd)
Miserere II, BK67 (Byrd)
Miserere mei, Deus (Allegri)
Miserere mei, Deus (Allegri/Roberts)
Miserere mei, Deus (Byrd)
Miserere mihi Domine (Byrd)
Misericordiae Domini
Missa Cantantibus organis (Palestrina/Giovannelli)
Missa Cantantibus organis (Palestrina/Mancini)
Missa Cantantibus organis (Palestrina/Santini)
Missa Cantantibus organis (Palestrina/Soriano)
Missa Dilectus meus (Magalhães)
Missa In illo tempore (Monteverdi)
Missa In illo tempore (Monteverdi)
Missa Maria Magdalene (Lobo)
Missa O soberana luz (Magalhães)
Missa pro defunctis a 6 'Requiem' (Lôbo)
Missa pro defunctis a 8 'Requiem' (Lôbo)
Missa pro defunctis 'Requiem' (Anerio)
Missa pro defunctis 'Requiem' (Cardoso)
Missa super La dolce vista (Schoendorff)
Missa Usquequo Domine (Schoendorff)
Missa Vox clamantis (Lôbo)
Mister Dowland's Midnight (Dowland/Denoth)
Mistress Anne Grene her Leaves be Green (Danyel)
Mistress Nichols' Almaine (Dowland/Denoth)
Mistress White's Nothing (Dowland/Denoth)
Mistress, since you so much desire (Campion)
Mistresse Nichols Almand
Mon Dieu, j'aye en toy esperance
Monsieur's Almain (Danyel)
Monsieur's Alman I, BK87 (Byrd)
Monsieur's Alman II, BK88 (Byrd)
Monsieur's Alman III, BK44 (Byrd)
Montes Israel (Morago)
More palatino (Sweelinck)
Mortal cosa son io (L'Humana Fragilità/Il Tempo/La Fortuna/Amore)
Mount up, my soul (Ward)
Mourons Tirsis, vivons Silvie
Move now with measured sound (Campion)
Movete al mio bel suon le piante snelle
Mr Confess's Coranto (Campion)
Mrs M E her funeral tears for the death of her husband (Danyel)
Mrs Winter's Jump (Dowland)
Mrs Winter's Jump (Dowland/Denoth)
Mulier quae erat (Cardoso)
Mulieres sedentes (Peerson)
Multa flagella peccatoris
My beloved spake, and said unto me (Tomkins)
My breast I'll set (Ward)
My choice is made (Pilkington)
My complaining is but feigning (Jones)
My Lady Hunssdon's Puffe (Dowland/Denoth)
My Lady Nevell's Grownde, BK57 (Byrd)
My Lord Is Hence Removed (Amner)
My Lord Willoughby's Welcome Home (Dowland)
My Lord Willoughby's Welcome Home (Dowland/Denoth)
My shepherd is the living Lord (Tomkins)
My soul doth magnify the Lord
My soul doth magnify the Lord
My soul doth magnify the Lord
My sweetest Lesbia (Campion)
Ne irascaris, Domine (Byrd)
Ne vueilles pas, ô Sire
N'espérez plus, mes yeux
Never weather-beaten sail (Campion)
Nigra sum
Nigra sum
Nisi Dominus
Nisi Dominus
Nisi Dominus, SV200 (Monteverdi)
No object dearer (Ward)
No, let chromatic tunes
Nolite fieri (Peerson)
Non mortui (Cardoso)
Non omnis qui dicit mihi, Domine (Sweelinck)
Non vos relinquam (Byrd)
Nos autem gloriari (Cardoso)
Novi diluculo
Now each creature (Handford)
Now hath Flora robbed her bowers (Campion)
Now the earth, the skies, the air (Danyel)
Now what is Love? (Jones)
Now, oh now I needs must part – The Frog Galliard (Dowland)
Now, oh now I needs must part (Dowland)
Now, oh now I needs must part (Dowland/Grainger)
Nun freut euch, lieben Christen gemein (Sweelinck)
Nun helft mir Gottes Güte schon preisen (Praetorius)
Nun komm, der Heiden Heiland (Praetorius)
Nunc dimittis
Nunc dimittis
Nunc dimittis
Nunc dimittis
Nunc dimittis
Nunc dimittis
Nunc dimittis (Byrd)
Nunc dimittis (Fernandez)
Nunc scio vere (Byrd)
O all true faithful hearts (Gibbons)
O be joyful in the Lord
O beatae viae a 2 voci (Monteverdi)
O beatum et sacrosanctum diem (Philips)
O bone Jesu (Praetorius)
O chiome d'or, neve gentil del seno
O Christ who art the light and day
O clap your hands (Gibbons)
O come, let us sing unto the Lord
O crux splendidior (Philips)
O dear life, when may it be (Byrd)
O Domine Jesu Christe (Peerson)
O Domine Jesu Christe, pastor bone (Sweelinck)
O gloriosa Domina (Byrd)
O God give ear and do apply (Byrd)
O God that guides the cheerful sun (Byrd)
O God, the King of Glory (Gibbons)
O God, the proud are risen against me (Byrd)
O God, the proud are risen against me (Tomkins)
O grief (Coprario)
O how amiable are thy dwellings (Weelkes)
O Jesu mi dulcissime, C24 (Gabrieli)
O Jesu mi dulcissime, C56 (Gabrieli)
O Jonathan (Weelkes)
O Lord, arise (Weelkes)
O Lord, in thy wrath rebuke me not (Gibbons)
O Lord, in thy wrath rebuke me not (Gibbons)
O Lord, make thy servant Elizabeth (Byrd)
O Lord, thou hast dealt graciously (Deane)
O lux beata Trinitas (Byrd)
O magnum misterium (Byrd)
O magnum mysterium (Gabrieli)
O magnum mysterium (Pedro de Cristo)
O Mistris myne, I must, BK83 (Byrd)
O poor distracted world (Coprario)
O quam beata lancea (Sweelinck)
O quam gloriosum est regnum, EKM48 (Byrd)
O quam suavis (Byrd)
O quam suavis est a 8 II (Philips)
O quam suavis est a 8 II (Philips)
O quam suavis est I (Philips)
O quam suavis est, Domine (Lobo)
O rex gloriae (Peerson)
O sacrum convivium (Byrd)
O sacrum convivium (Hassler)
O sacrum convivium (Sweelinck)
O salutaris hostia a 4 (Byrd)
O sing unto the Lord a new song (Amner)
O sing unto the Lord a new song (Tomkins)
O sing unto the Lord a new song (Tomkins)
O that most rare breast (Byrd)
O vos omnes (Esquivel Barahona)
O vos omnes (Praetorius)
O ye little flock (Amner)
Objét dont les charmes si doux
Obra sobre el Pange lingua (Alvarado)
Oculi mei (Morago)
Oculi omnium (Byrd)
Oculi omnium in te sperant, Domine
Oft have I sigh'd (Campion)
Oft have I tender'd (Ward)
Oh, let us howl (Johnson)
Ohime ch'io cado (Monteverdi)
Ohimè il bel viso, ohimè il soave sguardo, SV112 (Monteverdi)
Ohimè, dov'è il mio ben, dov'è il mio core?, SV140 (Monteverdi)
Omnes gentes plaudite manibus, C52 (Gabrieli)
Omnes gentes plaudite manibus, C52 (Gabrieli)
On a time in summer season (Jones)
Once did I serve a cruel heart (Jones)
Onder een linde groen (Sweelinck)
Onder te linde groene (Eyck)
Ons is gheboren een kindekijn (Sweelinck)
Onse Vader in hemelrijk (Sweelinck)
Optimam partem elegit (Byrd)
Optimam partem elegit (Byrd)
Or che 'l ciel e la terra e 'l vento tace, SV147 (Monteverdi)
Oratio Dominica (Praetorius)
Organ Variations on 'O Lord in Thee' (Amner)
Orlando Sleepeth (Dowland/Denoth)
Osanna filio David (Pedro de Cristo)
Our Father, which art in heaven
Out from the vale (Ward)
Out of the deep (Byrd)
Out of the deep (Tomkins)
Ove tra l'herbe e fiori (Croce)
Padoana (Schein)
Padoana ditta la Ongara (Picchi)
Paduan (Dowland)
Paduan (Simpson)
Paduana (Simpson)
Paget Pavan and Galliard (Philips)
Panis sancte, panis vive (Philips)
Paracletus autem Spiritus Sanctus (Sweelinck)
Parce Domine (Morago)
Parludam, BK115 EKM3 (Byrd)
Pars mea Dominus
Parson's In nomine, BK51 (Byrd/Parsons)
Partite sopra Zefiro (Trabaci)
Pasameza (Simpson)
Passacaglia (Marini)
Passacaille en rondeau (Corbetta)
Passagi on Lassus's Susanna un jour (Rognoni Taeggio/Lassus)
Passameze (Caroubel/Praetorius)
Passamezzo Pavan (Philips)
Passamezzo Pavan and Galliard (Philips)
Pater fili paraclete (Peerson)
Pater noster, qui es in caelis
Pavan
Pavan
Pavan
Pavan
Pavan (Moritz)
Pavan (Philips)
Pavan (Philips)
Pavan (Weelkes)
Pavan a 6 (Gibbons)
Pavan and Galliard (Bassano/Philips)
Pavan and Galliard (Morley/Philips)
Pavan and Galliard a 5 (Byrd)
Pavan and Galliard a 6 (Byrd)
Pavan and Galliard 'Bray', BK59 (Byrd)
Pavan and Galliard 'Doloroso Tregian' (Philips)
Pavan and Galliard 'Eccho', BK114 (Byrd)
Pavan and Galliard in F (Philips)
Pavan and Galliard 'Johnson's Delighte', BK5 (Byrd)
Pavan and Galliard Pagget (Philips)
Pavan and Galliard 'Ph. Tr.', BK60 (Byrd)
Pavan and Galliard 'Quadran', BK70 (Byrd)
Pavan and Galliard 'Sir William Petre', BK3 (Byrd)
Pavan and Galliard 'The Earle of Salisbury', BK15 (Byrd)
Pavan in C major (Danyel)
Pavan in C major (Ferrabosco Jr.)
Pavan 'Lord Salisbury' (Gibbons)
Pavan on Susanna un jour (Lupo/Lassus)
Pavan, 1580 (Philips)
Pavana and Galiarda, BK4 (Byrd)
Pavana and Galliarda, BK52 (Byrd)
Pavana and Galliarde the vi 'Kinbrugh Good', BK32 (Byrd)
Pavana hispanica (Sweelinck)
Pavana lachrimae (Sweelinck)
Pavana Lachrymae, BK54 (Byrd)
Pavana Philippi (Sweelinck)
Pavane de Spaigne (Praetorius)
Paven and Galiard, BK100 EKM10 (Byrd)
Paven and Galiard, BK73 (Byrd)
Pavin, BK76 (Byrd)
Peascod time 'The hunt's up' (Gibbons)
Petite et accipietis (Sweelinck)
Pieces in C (Corbetta)
Pieces in D major (Corbetta)
Plorans plorabit (Byrd)
Ponet in pulvere os suum
Poolsche dans (Sweelinck)
Post partum (Byrd)
Posuerunt super caput eius (Fernandez/Ceballos)
Posuisti Domine (Erbach)
Pourquoy font bruit et s'assemblent les gens?
Praeludium to the Fancie, BK12 (Byrd)
Praise our Lord, all ye Gentiles (Byrd)
Praise the Lord, O my soul (Ward)
Prayer is an endless chain
Prélude (Corbetta)
Prelude and Goodnight Ground a 5 (Byrd)
Prelude and Ground 'The Queen's Goodnight' (Byrd)
Preludium (Dowland)
Preludium (Dowland/Denoth)
Preludium (Gibbons)
Preludium, BK1 (Byrd)
Preludium, BK24 (Byrd)
Premier livre de tablature de luth (Ballard)
Prevent us, O Lord (Byrd)
Propter veritatem et mansuetudinem (Byrd)
Psalm 116 'Ik heb den Heer lief' (Sweelinck)
Psalm 13 'Usquequo, Domine?' (Croft/Tomkins)
Psalm 5 (Ufkî/Goudimel)
Psalm 9 (Ufkî/Goudimel)
Puer natus in Bethlehem 'Ein Kind geborn' (Praetorius)
Pueri nostri concinite 'Singet und klinget' (Praetorius)
Pulchra es
Pulchra es
Quam pulchri sunt gressus tui (Lobo)
Quand'apparisti o vag'o amata Dori (Giovannelli)
Quasi stella matutina (Infantas)
Queen Elisabeth, her Galliard (Dowland/Denoth)
Quel sguardo sdegnosetto (Monteverdi)
Quel signor (Michi)
Quelle divinité
Quem pastores laudavere (Praetorius)
Quem terra, pontus, aethera (Byrd)
Quem vidistis pastores? (Gabrieli)
Qui passe, for my Ladye Nevell, BK19 (Byrd)
Qui vult venire post me (Sweelinck)
Quia fecit mihi magna
Quia fecit mihi magna
Quia respexit humilitatem
Quia respexit humilitatem
Quick, quick, away, dispatch! (East)
Quid vobis videtur (Peerson)
Quis est homo? (Byrd)
Quodcumque ligaveris (Byrd)
Quomodo cantabimus (Byrd)
Quotiescunque manducabitis (Byrd)
Recercar dopo il Credo (Frescobaldi)
Recercar 'Sancta Maria' (Frescobaldi)
Recordare, Domine (Byrd)
Redemptor mundi
Regina caeli (Byrd)
Regina caeli (Lobo)
Regina caeli laetare (Sweelinck)
Regina caeli laetare a 8 (Philips)
Rejoice unto the Lord (Byrd)
Remember, O thou man (Ravenscroft)
Responsum accepit Simeon (Byrd)
Retire, my troubled soul (Ward)
Revelabitur gloria Domini (Morago)
Ricercar (Simpson)
Ricercar 'Aeolian' (Sweelinck)
Ricercar on Bonny sweet Robin (Simpson)
Romanesca (Marini)
Rorate caeli (Byrd)
Rorate caeli (Byrd)
Rosa (Danyel)
Round about in a fair ring (Bennet)
Round Battle Galliard (Dowland/Denoth)
Sacerdotes Dei (Erbach)
Sacerdotes Domini (Byrd)
Saltarello del pass' e mezo – Ballo ongaro (Picchi)
Saltarello del predetto ballo (Molinaro)
Salva nos, Domine (Pedro de Cristo)
Salvator mundi I, BK68 (Byrd)
Salvator mundi II, BK69 (Byrd)
Salvator noster (Gabrieli)
Salve regina (Anerio)
Salve regina (Brito)
Salve regina (Philips)
Salve regina 1625 (Monteverdi)
Salve regina a 4 (Byrd)
Salve regina a 5 (Byrd)
Salve regina I 1640 (Monteverdi)
Salve regina II a 2 voci, due Tenore o due Soprani 1640 (Monteverdi)
Salve regina, vita, dulcedo (Philips)
Salve sancta parens (Byrd)
Salve sancta parens (Byrd)
Salve sola Dei genetrix (Byrd)
Salve, o regina, o mater (Monteverdi)
Sancta Maria a 2 e B.c. (Monteverdi)
Sanctissimi quinque martires (Pedro de Cristo)
Sanctorum meritis (Pedro de Cristo)
Sanctorum meritis II 1641 (Monteverdi)
Sanctus (Santini)
Sanctus a 12 (Gabrieli)
Sanctus and Benedictus (Díaz Bessón)
Sarabande (Corbetta)
Sarasinetta No 2 (Bendinelli)
Saul, Saul, was verfolgst du mich?, SWV415 (Schütz)
Say, Love, if ever thou didst find (Dowland)
Scottish Dance (Brade/McGowan)
Se cantano gl'augelli (Gabrieli)
Se vittorie si belle (Monteverdi)
Second Dance of the Lords' Masque (Campion)
Second Dirge Anthem – Thou knowest, Lord, the secrets of our hearts, Z58b (Morley/Purcell)
Second Service (Gibbons)
Second Verse Service (Amner)
Sedebit solitarius
See, see, the Word is incarnate (Gibbons)
Selig sind die Toten (Schütz)
Sellinger's Rownde, BK84 (Byrd)
Semper Dowland semper dolens
Semper Dowland semper dolens (Dowland)
Senex puerum portabat (Byrd)
Senex puerum portabat (Byrd)
Sermone blando a 3 (Byrd)
Sermone blando II a 4 (Byrd)
Service for trebles (Weelkes)
Sestina 'Lagrime d'amante al sepolcro dell'amata', SV111 (Monteverdi)
Shall I come, sweet love? (Campion)
Shall I strive with words to move? (Dowland)
Shall I sue, shall I seek for grace? (Dowland)
Shows and nightly revels (Lupo)
Si c'est pour mon pucellage
Si jamais mon ame blessée (Guédron)
Si le parler et le silence (Guédron)
Sicut audivimus (Byrd)
Sicut erat in principio
Sicut erat in principio
Sicut locutus est
Sicut locutus est
Siderum rector (Byrd)
Sinfonia grave: La Zorzi
Sinfonia 'La Gardana', Op 1 (Marini)
Sinfonia 'La Orlandina', Op 1 (Marini)
Sinfonia 'La Ponte', Op 1 (Marini)
Sing joyfully (Byrd)
Sing unto God (Tomkins)
Sing unto the Lord (Gibbons)
Sing, O Heav'ns (Amner)
Sir George Whitehead his Almaine (Dowland)
Sir Henry Guilford his Almaine (Dowland)
Sir Henry Umptons Funerall
Sir Henry Umpton's Funerall (Dowland)
Sir John Smith his Almaine (Dowland)
Sir John Smith, his Almain (Dowland/Denoth)
Sir John Souch his Galiard
Sir Thomas Collier his Galliard (Dowland)
Sitivit anima mea (Cardoso)
Sleep, wayward thoughts (Dowland)
So parted you (Campion)
So parted you (Coprario)
Solve, iubente Deo (Byrd)
Sonata 1 (Cima)
Sonata 2 (Cima)
Sonata 28 (Vierdanck)
Sonata 31 'Als ich einmal Lust bekam' (Vierdanck)
Sonata a 6 (Marini)
Sonata a quattro tromboni (Marini)
Sonata octavi toni a 12, C184 (Gabrieli)
Sonata 'per sonar con due corde' (Marini)
Sonata per sonar con tre corde a modo di Lira, Op 8 (Marini)
Sonata pian' e forte a 8, alla quarta bassa, C175 (Gabrieli)
Sonata prima (Merula)
Sonata prima 'Semplice' (Marini)
Sonata quarta per sonar con due corde, Op 8 (Marini)
Sonata sopra Fuggi dolente core, Op 12 (Marini)
Sonata sopra Sancta Maria
Sonata sopra Sancta Maria
Sonata terza 'Variata' (Marini)
Sonata XX a 22 (Gabrieli)
Sonata XXI a 4, C214 (Gabrieli)
Song 46 (Gibbons/Dearmer)
Sorrow, stay, lend true repentant tears (Dowland)
Sorrow, stay, lend true repentant tears (Dowland)
Sotto l'ombroso speco (Anerio)
Soupirs meslés d'amour (Guédron)
Spagnoletta (Praetorius)
Speciosus forma – Eructavit – Lingua mea (Byrd)
Stay, cruel, stay! (Danyel)
Su duro tronco (Michi)
Su le penne de' venti, SV333 (Monteverdi)
Suite in A minor (Corbetta)
Suite in G major (Corbetta)
Suite in G minor (Corbetta)
Surgens Jesus (Philips)
Surrexit Christus, C66 (Gabrieli)
Suscepimus Deus (Byrd)
Suscepit Israel puerum suum
Suscepit Israel puerum suum
Suscipe, clementissime Deus, C70 (Gabrieli)
Suzanna (Dowland)
Sweet Kate (Jones)
Sweet Philomel (Ward)
Sweet, stay awhile, why will you rise? (Dowland)
Tanto tempore vobiscum (Sweelinck)
Tarleton's Resurrection (Dowland/Denoth)
Te decet hymnus (Schoendorff)
Te Deum
Te Deum
Te Deum
Te Deum
Te Deum laudamus (Sweelinck)
Te lucis a 4 (Byrd)
Te lucis ante terminum (Fernandez)
Teach me, O Lord (Byrd)
Tell me, dearest (Johnson)
Tell me, true love (Dowland)
Teth
The Barley Break, BK92 (Byrd)
The Battell, BK94 (Byrd)
The Battle Galliard (Dowland)
The bells, BK38 (Byrd)
The Carman's Whistle 'Air and Variations', BK36 (Byrd/Grainger)
The Carman's Whistle, BK36 (Byrd)
The cypress curtain of the night (Campion)
The Earle of Essex Galiard
The eighte pavian, BK17 (Byrd)
The fall of the leaf (Peerson)
The fauns and satyrs tripping (Tomkins)
The fifte pavian and galliarde, BK31 (Byrd)
The First Pavan and Galliard (Byrd)
The firste pavian and galliarde, BK29 (Byrd)
The fourth pavian and galliarde, BK30 (Byrd)
The French Coranto, BK21a (Byrd)
The Frog Galliard (Dowland)
The Frog Galliard (Dowland/Denoth)
The Galliard for the Victorie, BK95 (Byrd)
The Ghost, BK78 (Byrd)
The grace of our Lord Jesus Christ (Deane)
The Great Service (Byrd)
The hunt is up (Bennet)
The Hunt's Up, BK40 (Byrd)
The King of Denmark, his Galliard (Dowland/Denoth)
The King of Denmarks Galiard
The Lady Oriana (Wilbye)
The leaves be greene (Danyel)
The Lord be with you
The Lord's Prayer (Stone)
The Marche before the Battell, BK93 (Byrd)
The Marigold (Lanier)
The Mayden's Songe, BK82 (Byrd)
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard (Dowland)
The most sacred Queen Elizabeth, her galliard (Dowland)
The Noble Man (Johnson)
The nynth pavian and galliarde, the Passinge mesures, BK2 (Byrd)
The Passymeasures Galliard (Danyel)
The Preces (Tomkins)
The Primrose (Peerson)
The Prince's Alman (Johnson)
The Prince's Coranto (Johnson)
The Queenes Alman, BK10 (Byrd)
The Queen's Command (Gibbons)
The Responses (Smith/Stone)
The Responses (Tomkins/Farmer)
The Satyrs Dance (Johnson)
The Second French Coranto, BK21b (Byrd)
The Second Ground, BK42 (Byrd)
The second pavian and galliarde, BK71 (Byrd)
The seventh pavian, Canon 2 parts in 1, BK74 (Byrd)
The Shoemaker's Wife (Dowland/Denoth)
The Shoemaker's Wife 'A Toy' (Dowland)
The silver swan (Gibbons)
The silver swan (Gibbons)
The silver swan 'Round' (Gibbons)
The Tempest (Johnson)
The Temporiser (Johnson)
The Third French Coranto, BK21c (Byrd)
The third pavian and galliard, BK14 (Byrd)
The Trumpetts
The Witches' Dance (Johnson)
The Witty Wanton (Johnson)
Then David mourned (Tomkins)
Then David mourned (Tomkins)
There is none, o none but you (Campion)
Think'st thou to seduce me then? (Campion)
Third Service 'Great' (Tomkins)
This day Christ was born 'A Carroll for Christmas Day' (Byrd)
This is a joyful, happy holy day (Ward)
This is the record of John (Gibbons)
This sweet and merry month of May (Byrd)
Thou God of wisdom (Gibbons)
Thou pretty bird, how do I see (Danyel)
Though Amaryllis dance (Byrd)
Though you are young and I am old (Campion)
Though your strangeness frets my heart (Jones)
Tibi laus, tibi gloria (Philips)
Tiento de quarto tono de falsas (Aguilera de Heredia)
Tiento de segundo tono (Correa de Arauxo)
Tiento No 15, de quarto tono (Correa de Arauxo)
Tiento No 28, de septimo tono (Correa de Arauxo)
Tiento No 41, de dozeno tono (Correa de Arauxo)
Time stands still (Dowland)
Time stands still (Dowland)
Time, cruel Time (Danyel)
Time, that leads the fatal round (Lupo)
Time's eldest son, Old Age (Dowland)
Timete Dominum – Venite ad me (Byrd)
Timor Domini principium sapientiae (Sweelinck)
Tirsi morir volea (Marenzio/Philips)
'Tis late and cold (Johnson)
To ask for all thy love (Dowland)
Toccata – Perle care (Piccinini/Strozzi)
Toccata (Picchi)
Toccata avanti la Messa (Frescobaldi)
Toccata decima (Frescobaldi)
Toccata III (Weckmann)
Toccata in G (Hassler)
Toccata 'Ionian' (Sweelinck)
Toccata No 26 (Bendinelli)
Toccata nona (Frescobaldi)
Toccata octavi toni (Erbach)
Toccata ottava, Libro Primo (Frescobaldi)
Toccata Prima (Mayone)
Toccata quinta (Frescobaldi)
Toccata quinti toni, CS2 (Gabrieli)
Toccata Seconda & Ligature (Trabaci)
Toccata secondo tono (Gabrieli)
Toccata, CD13 (Gabrieli)
Toccata, CD15 (Gabrieli)
Toccata, CD16 (Gabrieli)
Toccate d'intavolatura di cimbalo et organo (Frescobaldi)
Tollite portas – Ave Maria (Byrd)
Tollite portas (Byrd)
Tomorrow the fox will come to town (Ravenscroft)
Too much I once lamented (Tomkins)
Tribue, Domine (Byrd)
Tribulatio proxima est (Byrd)
Tribulationes civitatum (Byrd)
Tristis est anima mea
Tristis est anima mea (Lobo)
Tristitia et anxietas (Byrd)
Tristitia vestra (Philips)
Tu es pastor ovium (Byrd)
Tu es Petrus (Byrd)
Tu es Petrus (Philips)
Tulerunt lapides (Cardoso)
Tune thy music to thy heart (Campion)
Turn our captivity, O Lord (Byrd)
Ubi duo vel tres congregati fuerint in nomine meo (Sweelinck)
Udite, chiari e generosi figli (Gabrieli)
Un jour Amarille et Tircis
Un jour de la semaine
Unam petii a Domino (Byrd)
Uncertain turns of thought
Une jeune fillette (Bacheler)
Une jeune fillette (Besard)
Unquiet thoughts (Dowland)
Unto the hills mine eyes I lift (Byrd)
Ut, mi, re, BK65 (Byrd)
Ut, Re, Mee, Fa, Sol, La, The playnesong … by a second Person, BK58 (Byrd)
Ut, re, mi, fa, sol, la, BK64 (Byrd)
Variations on the Ruggiero (Notari)
Variazioni sopra La Folia (Piccinini)
Vau. Et egressus est a filia Sion omnis decor eius
Veni Sancte Spiritus (Anon/Philips)
Veni Sancte Spiritus (Philips)
Veni Sancte Spiritus (Schoendorff)
Veni, Sancte Spiritus (Byrd)
Venite
Venite exsultemus Domino (Sweelinck)
Venite, exsultemus Domino (Byrd)
Venite, siccientes a 2 (Monteverdi)
Venus' Birds (Bennet)
Versa est in luctum (Lobo)
Versa est in luctum (Morago)
Versa est in luctum (Vivanco)
Verso sobre Ave maris stella (Rodrigues Coelho)
Vespers (Monteverdi)
Vespers (Monteverdi)
Vespers for the Feast of Santa Barbara (Monteverdi)
Vespers transcription (Monteverdi)
Vide homo quae pro te patior (Sweelinck)
Vide, Domine, afflictionem (Byrd)
Videns Dominus (Praetorius)
Videte manus meas et pedes meos (Sweelinck)
Vidi speciosam (Anerio)
Vigilate (Byrd)
Viri Galilaei (Byrd)
Viri Galilei quid statis aspicientes in caelum? (Sweelinck)
Visita quaesumus, Domine (Byrd)
Vivo ego, dicit Dominus (Lobo)
Voglio di vita uscir (Monteverdi)
Volgendo il ciel – Movete al mio bel suon, SV154 (Monteverdi)
Voluntarie I (Weelkes)
Voluntarie II (Weelkes)
Vom Himmel hoch (Praetorius)
Vous me juries (Anon/Besard)
Vox Domini super aquas Jordanis, C64 (Gabrieli)
Vultum tuum (Byrd)
Vultum tuum (Byrd)
Wachet auf, ruft uns die Stimme (Praetorius/Bach)
Walsingham (Dowland)
Wat zal men op den Avond doen (Eyck)
We praise thee, O God
We praise thee, O God
Weep forth your tears (Ward)
Weep you no more (Dowland)
Weep, O mine eyes (Bennet)
Weep, weep mine eyes (Wilbye)
Welcome, black night … Cease these false sports (Dowland)
What delight can they enjoy (Danyel)
What if a day (Dowland/Denoth)
What if I never speed? (Dowland)
What is our life? (Gibbons)
What then is love but mourning? (Rosseter)
When David heard (Tomkins)
When David heard (Tomkins)
When David heard (Weelkes)
When David Heard that Absalon was Slain (East)
When pale famine (Coprario)
Where the bee sucks (Johnson)
While dancing rests (Coprario)
Who likes to love (Byrd)
Who liveth so merry (Ravenscroft)
Why canst thou not? (Danyel)
Why stays the bridegroom to invade (Ferrabosco Jr.)
Wie lieblich sind deine Wohnungen, SWV29 (Schütz)
Wie schön leuchtet der Morgenstern (Praetorius)
Will said to his mammy (Jones)
Will yow walke the woods so wylde, BK85 (Byrd)
Wilson's Wilde, BK37 (Byrd)
Woe is me (Tomkins)
Woo her, and win her (Campion)
Worster Brawls (Tomkins)
Xicochi conetzintle (Fernandes)
Yâ rezzâk vehhab bi'l can
Ye sacred Muses (Byrd)
You meaner beauties of the night (East)
Zefiro torna e 'l bel tempo rimena, SV108 (Monteverdi)
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