Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67604
Recording details: September 2005
Merton College Chapel, Oxford, United Kingdom
Produced by Jeremy Summerly
Engineered by Justin Lowe
Release date: April 2007
Total duration: 6 minutes 16 seconds

'A must-have disc from the Brabant Ensemble … first-rate music stirs this young ensemble to their finest disc yet' (Gramophone)

'This well-selected collection places Manchicourt firmly on the musical map. The centrepiece of the recording, the Cuidez vous mass, is an inspired choice. From the clamorous lines of the opening Kyrie with their spicy harmonic clashes, through the superbly portrayed dramas of the Credo, and into the quieter realms of the Sanctus and Agnus Dei, this choir is never less than energised and sure-footed … moving and compelling' (BBC Music Magazine)

'The brilliant Easter exultation of Regina caeli is created by Manchicourt's ingenious combination of intricate canonic writing with exciting syncopated rhythms … the Brabant Ensemble's committed and responsive performances' (The Daily Telegraph)

'I was amazed … there is really excellent music here' (Early Music Review)

'Though only a few recordings of Manchicourt's music have appeared over the past decade or so, this one is a significant addition … for its contrasting interpretive aesthetic' (American Record Guide)

'From the ecstatic opening bars of the Regina caeli, which begins the recital, to the more austere grandeur of Manchicourt’s only setting of the Magnificat, with which it closes, there is not a less than thrilling moment on the whole disc. Non-experts will scarcely be aware of the hyper-refined contrapuntal techniques, daring use of dissonance and cross-relations, interspersed with passages of telling homophony; they will simply be swept along by the sheer aural brilliance of Manchicourt’s polyphony. With only two previous recordings to its name, The Brabant Ensemble has already established itself as perhaps England’s most accomplished interpreter of Renaissance sacred music. Its intelligent phrasing, purity of vocal production and well-judged use of pause and inflexion are simply astonishing. Its vivid presentation of Manchicourt’s shimmering, flamboyant polyphony is as moving as it is intellectually stimulating' (International Record Review)

'The music is typical of the high Renaissance, influenced by Josquin and close to the style of Gombert; the Brabant performances all have a wonderful fluency and rhythmic clarity' (The Guardian)

'The more I hear of Manchicourt's music the more impressed I am … the Brabant Ensemble here sports a confidence and sureness of purpose which is indispensable in music as meaty and ambitious as this' (Goldberg)

'Stephen Rice's superbly talented vocal ensemble features many members of the same family, and there's a great harmony, in all senses, about its work. Here, the Brabant does the 16th-century composer Manchicourt proud' (FirstPost.com)

'Recorded at Merton College, Oxford by eager, fresh young voices, singing full throatedly with a forward impetus, it has made for delightful listening. Recommended strongly' (MusicalPointers.co.uk)

Osculetur me
composer
6vv
author of text
Song of Songs 1: 1-3; 4: 7, 11

Introduction  EnglishFrançaisDeutsch
Osculetur me is one of many motets from the immediate pre-Reformation period that appropriate the eroticism of the Song of Songs to the ends of devotion to the Blessed Virgin Mary. This conflation of carnal desire with religious adoration had become popular from the twelfth century onwards, the troubadours having frequently sung love poems to an unattainable and chaste ‘domna’ (‘lady’). In the early sixteenth century, Song of Songs texts were often amended to include specific reference to Mary; this procedure is not adopted in the present motet, but instead the tenor line sings a cantus firmus, also taken from the Song of Songs: ‘Tota pulchra es, amica mea’ (‘You are all-beautiful, my love’). The six-part texture and the highly charged emotionalism of the text make this one of Manchicourt’s most opulent motets.

from notes by Stephen Rice © 2007

Show: MP3 FLAC ALAC
   English   Français   Deutsch