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Track(s) taken from CDA67890

Barcarolle No 5 in F sharp minor, Op 66

composer
18 September 1894; published in 1894

Stephen Hough (piano)
Recording details: October 2010
Concert Hall, Wyastone Estate, Monmouth, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: September 2012
Total duration: 5 minutes 49 seconds

Cover artwork: Gasthof zur Muldentalsperre (2000-2002). Peter Doig (b1959)
Collection Nancy Lauter and Alfred L McDougal / The Art Institute of Chicago / Photograph by Grant Hiroshima
 

Other recordings available for download

Marc-André Hamelin (piano)
Kathryn Stott (piano)

Reviews

‘Stephen Hough calls his extremely generous, 79-minute, 17-item French Album ‘a sort of musical dessert trolley’, but that sells it short. It’s much more of a festive hamper, offering a full meal to lovers of French music, mixing up the familiar and the unknown with Stephen’s typical charm and panache’ (The Mail on Sunday)

‘A substantial gourmet feast of masterly pianism … central to the disc are the works by Fauré and Poulenc, heard to their best advantage when programmed in this way, hand-picked and set beside short works by Massenet and Chabrier. There are some great performances here … the expressive simplicity of his playing can make your eyes burn. In Clair de lune and Chaminade's once ubiquitous Automne, now rarely heard, Hough conjures up a heart-catching melody that puts me in mind of Cherkassky … excellent booklet. Fine recording. De plus, s'il vous plaît!’ (Gramophone)

‘Once again, Stephen Hough's consummate artistry extends to inspirational programme building … the Fauré group is ravishingly contrasted, with a fluency and limpid style supported by all the necessary backbone and sense of direction to make the composer's tortuous harmonic twists sound as natural as speech … chez Poulenc, the constantly shifting balance of melody, countermelody and accompaniment is defined by subtlety of dynamic shading, deft pedal work and brushstroke rubato … even by Hough standards the whole enterprise is a tour-de-force and easily the most satisfying disc of piano music I've encountered so far this year’ (International Record Review)

‘Stephen Hough is a treasurable musician of questing intelligence. His latest album is among the most enjoyable … the Fauré selections best display Hough's connoisseur touch. From the adventurous journey of the sixth Nocturne to the restless harmonies of the fifth Barcarolle, each selection springs a new surprise. The lighter French spirit surfaces in Hough's own arrangements of Délibes and Massenet, delivered with delicious wit and grace’ (The Times)

‘An exquisite arrangement of Massenet's Crépuscule … Ravel's Alborada del gracioso and Fauré's F sharp minor Impromptu are glitteringly played’ (The Sunday Times)

‘It is a stroke of genius to end with the Liszt/Halévy Réminiscences de La juive. Hough makes this Fantaisie brillante a true tour-de-force … a terrific disc’ (International Piano)

‘An unhackneyed selection. Everything is beautifully played; whether the four pieces by Fauré or the three by Poulenc, it is a feast of virtousity and poetry’ (Dominion Post, New Zealand)
By 1894, Fauré had visited Venice and written his Cinq mélodies «de Venise», settings of Verlaine. He had also met Emma Bardac and begun their affair. His expanding horizons are evident in the highly original Barcarolle No 5 in F sharp minor, with its characteristic ‘blue note’. Its roving harmonic adventurousness and sense of drama make it one of the most challenging and rewarding of the Barcarolles.

from notes by Jessica Duchen © 2023

En 1894, Fauré avait fait un voyage à Venise et écrit ses Cinq mélodies «de Venise», sur des poèmes de Verlaine. Il avait aussi rencontré Emma Bardac et entamé leur liaison. Ses horizons élargis sont évidents dans la très originale Barcarolle nº 5 en fa dièse mineur, avec sa «note bleue» caractéristique. Son côté novateur vagabondant sur le plan harmonique et son sens du drame en font l’une des barcarolles les plus difficiles mais motivantes et gratifiantes.

extrait des notes rédigées par Jessica Duchen © 2023
Français: Marie-Stella Pâris

1894 hatte Fauré bereits eine Venedigreise hinter sich; er hatte die Cinq mélodies «de Venise» nach Verlaine komponiert. Hinzu kam die Begegnung und Affäre mit Emma Bardac. Die Ausweitung seines Horizonts wird greifbar in der äußerst originellen Barcarolle Nr. 5 fis-Moll mit ihrer charakteristischen „blue note“. Ihre harmonische Abenteuerlust und Dramatik zeichnen sie als eine der schwierigsten und lohnendsten Barcarolles aus.

aus dem Begleittext von Jessica Duchen © 2023
Deutsch: Friedrich Sprondel

Other albums featuring this work

Fauré: Nocturnes & Barcarolles
Studio Master: CDA68331/22CDsStudio Master FLAC & ALAC downloads available
Fauré: The Complete Music for Piano
CDS44601/44CDs Boxed set (at a special price)
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