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Track(s) taken from CDA66867

Caligaverunt oculi mei

composer
6vv
author of text
Responsory on Good Friday

A Capella Portuguesa, Owen Rees (conductor)
Recording details: February 1996
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Martin Compton
Engineered by Tony Faulkner
Release date: September 1996
Total duration: 4 minutes 31 seconds
 

Reviews

‘Stunningly beautiful’ (Organists' Review)

'Disco absolutamente recomendable a todos los amigos de la polifonia, qie se encontraran con 73 minutos de buena musica bellamente interpretada' (CD Compact, Spain)
A large number of works by Juan de Castro y Malagaray were once preserved in João IV’s library, including the six-voice setting of Caligaverunt oculi mei. The text is taken from a Matins responsory for Good Friday, though this motet was used on a number of occasions: in the Index of João IV’s library, for instance, it is inscribed ‘Da Paixão’, and at Vila Viçosa it was sung as a motet at Mass on Tuesday of Holy Week. It is a triumph of dramatic expression: the first section is characterized by contrapuntal lines imbued with chromatic contradictions and inflexions, reflecting the blind confusion expressed in the text; there is a sudden change to a more optimistic mood at the words ‘Videte, omnes populi’ (‘See, all you people’), but the motet culminates in a profoundly affecting passage in which a chromatic phrase is relentlessly passed from voice to voice over sustained pedal notes, emphasizing the plaintive phrase ‘Si est dolor similis sicut dolor meus’. It is perhaps one of the most powerful motet settings in the entire collection for Holy Week at Vila Viçosa.

from notes by Bernadette Nelson © 1996

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