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Track(s) taken from CDA67543

When David heard

composer
1999
author of text
2 Samuel 18: 33

Polyphony, Stephen Layton (conductor)
Recording details: January 2005
Temple Church, London, United Kingdom
Produced by Adrian Peacock
Engineered by Simon Eadon
Release date: February 2006
Total duration: 12 minutes 57 seconds

Cover artwork: Radiance. Simon Cook (b1954)
Private Collection / Bridgeman Images
 

Other recordings available for download

National Youth Choir of Scotland, Christopher Bell (conductor), David Norris (tenor)

Reviews

‘This beautifully performed and recorded CD contains the bulk of Whitacre's choral canon and displays his delicate yet vital approach to writing for voices. I guess if you like Tavener (or Pärt, who is strongly evoked in David), you'll enjoy Whitacre’ (Gramophone)

Cloudburst is the central piece here, a dazzling kaleidoscope of busy clamour, arcing lyricism, solo and spoken passages, sighing, handbells, wind chimes, inter alia. Whitacre was only 22 when he wrote it. Mightily effective, it's superbly performed (as is everything else on this CD) by Polyphony and Stephen Layton’ (BBC Music Magazine)

‘I would certainly urge anyone with a love of choral singing to buy this disc, not merely to sample this atmospheric sound-world but to luxuriate in the gorgeous choral tone of Polyphony’ (International Record Review)

‘Ethereal and chillingly beautiful choral works—an intense and moving aural experience’ (The Independent on Sunday)

‘Here's a CD to put the hype back into Hyperion … extraordinarily beautiful … the recording is blessed with top performers in the choir Polyphony under the conductor Stephen Layton, who carefully shapes the recitativo phrasing and demands crystal clarity in diction and ensemble. Hyperion has a winner’ (The Times)

‘The combination of tonal opulence, expressive depth and verbal conviction creates a heart-melting mix in When David heard, by far the longest work on the disc and a masterpiece of unaccompanied choral writing. Unmissable’ (Classic FM Magazine)

‘A sign that the 36-year-old American choral composer Eric Whitacre has arrived is that he has been given the glamour treatment by Stephen Layton's magnificent Polyphony, one of the finest a capella choral ensembles active in the world today … Whitacre has experienced enormous success recently, writing choral and wind ensemble music. It's not hard to see why, from this impeccably performed collection’ (Fanfare, USA)

‘This is one of the most exciting discs to come onto the market … the whole experience is simply stunning. The precise and secure tuning of Layton's group, with effective, elegant phrasing and ensemble makes this more than a winner—it's a superb disc’ (Cathedral Music)

‘A highly significant composer with a very genuine gift for choral writing and one, moreover, with that priceless ability to communicate strongly and effectively with his audience’ (MusicWeb International)

‘Theirs is the sort of virtuosity that calls no attention to itself but unfolds the music with a spontaneous, ongoing sense of discovery’ (Opera News)

‘Whitacre creates magical compositions that are stunning in their power. A beautiful album’ (Daily Express)

‘A lifetime of listening to choral music had not prepared me for such lush harmonies—a cappella voices perfectly tuned and blended. This was my first encounter with Polyphony, possibly the best small (25 or so) professional chorus in the world. Polyphony is from Britain, where choral singing is a national fetish. Since their formation in 1986 by conductor Stephen Layton, they have amassed an impressive catalogue on the Hyperion label, which also includes the highly praised, Grammy-nominated recording of Morten Lauridsen’s Lux aeterna. But for pure Polyphony, the group’s CD Cloudburst, comprised entirely of works by wunderkind composer Eric Whitacre, is a stunning recording, their best showcase yet’ (Encore, USA)

‘As heart-stoppingly electrifying as anything you've ever heard … ranks as one of the truly worthwhile recording events of 2006’ (Classics Today)

‘If you have any interest in choral music, you absolutely must buy Cloudburst, a new CD of Whitacre’s choral music, sung with otherworldly purity of tone and security of pitch by the vocal group Polyphony, conduced by Stephen Layton … if someone sat you down, played Whitacre’s When David heard, and told you it was a new piece by Arvo Pärt, you’d just think it was another in a very long line of works of unalloyed genius from Pärt … When David heard is that good. Hair-raising. Electrifying. Whitacre has developed a remarkably distinct style … Whitacre is the genuine article’ (Stereophile)

‘This one is in the We Told You So Department. American composer Eric Whitacre in his mid-30s, is—with the estimable Morten Lauridsen—a part of a growing bounty of choral exploration and development frequently now being recorded by the British-based Layton and his remarkable ensemble, Polyphony. And the National Academy of Recording Arts and Sciences have heard the word and smartly nominated this outstanding CD for a Best Choral Performance Grammy. The title work alone is a tour de force, the singers themselves creating the percussive sound of a raging storm. Note, also, the wrenching despair of When David heard—this may be too much for families suffering the loss of military sons and daughters right now, by the way. Lauridsen’s new Nocturnes also with Polyphony—hits stores in February. For now, soak yourself in this superb Cloudburst’ (CNN)

«Il y a des disques dont on n'attend rien et qui nous donnent tous! Eric Whitacre se spécialise dans la composition chorale. Et il a trouvé le bon filon» (Classics Today France)
Dr Ronald Staheli, more than any other conductor I have ever worked with, understands my music. He is that rare musician who discovers more music in the music than the composer even realized was there. So when I received the Barlow Commission to write a work for his amazing choir, I knew it had to be something special. The previous year Ron had recorded my Water Night, and his recording is, in my opinion, the quintessential performance of that piece. He seemed to find such powerful beauty in the rests, empty moments that became electric in his hands, so as I set out to write When David heard I decided that my first and most principal musical motive would be silence.

The text, one single, devastating sentence, is from the King James Bible; II Samuel, 18:33:

When David heard that Absalom was slain he went up into his chamber over the gate and wept, my son, my son, O Absalom my son, would God I had died for thee!

Setting this text was such a lonely experience, and even now just writing these words I am moved to tears. I wrote maybe 200 pages of sketches, trying to find the perfect balance between sound and silence, always simplifying, and by the time I finished a year later I was profoundly changed. Older, I think, and quieted a little. I still have a hard time listening to the recording.

When David heard was commissioned by the Barlow Endowment for the Arts for the Brigham Young Singers, and is dedicated with love and silence to Dr Ronald Staheli. It received its premiere on 26 March 1999.

from notes by Eric Whitacre © 2020

Other albums featuring this work

Cantos sagrados
Studio Master: SIGCD604Download onlyStudio Master FLAC & ALAC downloads available
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