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Track(s) taken from CDP12105

Blaenwern

First line:
Love divine, all loves excelling
composer
composer
descant
author of text

Wells Cathedral Choir, Malcolm Archer (conductor), Rupert Gough (organ)
Recording details: November 2003
Wells Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: August 2004
Total duration: 3 minutes 24 seconds
 
1

Reviews

'The Wells Cathedral Choir again shows its stuff—and it's glorious … because of this choir's sturdy, full-bodied singing, both exuberant and reverent, and its natural, sensible, unaffected phrasing and enunciation. Hymn lovers need no encouragement or further discussion; these inspiring texts and timeless tunes speak for themselves' (ClassicsToday.com)
The starting point for this great classic hymn is a song by Venus, the goddess of love, from the play King Arthur by Dryden, for which Purcell wrote the music in 1691. That begins ‘Fairest Isle, all isles excelling’, and Venus is about to leave Cyprus for the British Isles. Charles Wesley leads our thought to the love of God which surpasses all other love and which is come to dwell with us. As with all Wesley’s hymns, references and echoes abound; another classical reference may be to a story by the poet Ovid in ‘Never more thy temples leave’. Certainly there is a reference to St John 10: 10, ‘I am come that they may have life and have it more abundantly’. The hymn reaches its climax in the last line with the amazing word ‘Lost’, but which proves to be ‘in wonder, love, and praise’.

It has been sung to a version of Purcell’s original tune. Many Anglican congregations know the hymn divided into four-line verses and sung to a graceful tune by John Stainer. Much better to keep the original eight-line verses and to use one of a number of suitable tunes. Here the tune is that by a Welsh school teacher and choral conductor that was composed in the heady times of the 1904–5 Revival.

from notes by Alan Luff 2004

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