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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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Wells Cathedral Choir, Malcolm Archer (conductor), Rupert Gough (organ)» More
'The recording is first class. Engineer David Hinitt and producer Adrian Peacock have successfully captured the rich acoustics and yet achieved a clear reproduction of the voices and the mighty organ. Anyone who has ever been in Westminster Abbey should be overwhelmed by the lifelike sound picture. The generous programme is also finely contrasted … the quality of the singing is on a high level and Robert Quinney negotiates the organ accompaniments excellently' (MusicWeb International)» More
Vaughan Williams thoroughly disliked the romantic hymn tunes of the Victorian era, writing that ‘they are positively harmful to those who sing and hear them’ (a moral attitude that perhaps we need to hear more of today). In replacing them he was able to bring his own ability to be in touch with what people want to sing that had developed through his study of folksong. The words, a translation by Richard Frederick Littledale from the fourteenth-century Italian of Bianco da Siena have a glowing warmth. This brings Vaughan Williams’s gifts to full flower in a tune which fully expresses the words without the least hint of sentimentality. In each half of the tune, after two phrases with repeated rhythm he writes a swifter-moving line that gathers all to a conclusion. Down Ampney is the Cotswold village where he was born.