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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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Wells Cathedral Choir, Malcolm Archer (conductor), Rupert Gough (organ)» More
'The recording is first class. Engineer David Hinitt and producer Adrian Peacock have successfully captured the rich acoustics and yet achieved a clear reproduction of the voices and the mighty organ. Anyone who has ever been in Westminster Abbey should be overwhelmed by the lifelike sound picture. The generous programme is also finely contrasted … the quality of the singing is on a high level and Robert Quinney negotiates the organ accompaniments excellently' (MusicWeb International)» More
The composer Herbert Howells lost a son, Michael, in childhood, and a number of his compositions were deeply affected by that bereavement. However, no memorial from his hand stands more firmly than this tune that bears his son’s name. Robert Bridges based the words of the hymn on one by Joachim Neander. In it he leads us through the ‘changes and chances of this fleeting world’ towards the new things that God has in store for us, with a wonderful point of affirmation in the two short lines towards the end of each verse, picked up by the tune. This was written in about 1930, at the request of Dr Thomas Fielding, for use in the school chapel at Charterhouse. The composer said that he received the request by the morning post and wrote the tune over breakfast. It remained in public-school use only until it burst into popularity in the churches with its inclusion in 1969 in the supplements to The Methodist Hymn Book and Hymns Ancient and Modern.