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Track(s) taken from CDA68058

Magnificat and Nunc dimittis in D minor

composer
1855
author of text
Magnificat: Luke 1: 46-55; Nunc dimittis: Luke 2: 29-32

St Paul's Cathedral Choir, Andrew Carwood (conductor), Simon Johnson (organ)
Studio Master FLAC & ALAC downloads available
CD-Quality:
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Recording details: May 2013
St Paul's Cathedral, London, United Kingdom
Produced by Jonathan Freeman-Attwood
Engineered by Martin Haskell
Release date: August 2014
Total duration: 7 minutes 24 seconds

Cover artwork: St Paulís Cathedral, the proposed new high altar (1948) by Reginald Kirby
 
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Other recordings available for download

St Paul's Cathedral Choir, John Scott (conductor), Christopher Dearnley (organ)

Reviews

'It's thrilling to hear much-loved works by Stanford and Walmisley so well sung, together with less familiar pieces by Alan Gray, Michael Tippett and Charles Wood. Andrew Carwood and the St Paul's Cathedral Choir pay scrupulous attention to the tiniest of details, so that every word and note come across as something precious and sacred. The wonderfully colourful accompaniments of organist Simon Johnson are, by turns, both dramatic and lyrical. This is choral singing at its finest; in every way, listening to this glorious CD is a heavenly experience' (Gramophone)» More

'St Paul's Cathedral Choir gives us here a really fine and outstandingly sung collection of canticles, some of them quite familiar and others decidedly not. In addition, 'canticles' does not refer only to the Magnificat and Nunc dimittis; we also hear settings of the Benedicite, the Te Deum and the Jubilate' (International Record Review)» More
Besides Wesley, Thomas Attwood Walmisley (1814–1856) was the composer most instrumental in raising the tradition of English church music out of the mire into which it had sunk earlier in the nineteenth century. Walmisley’s exceptional abilities as choir trainer and organist led him to Cambridge in 1833, where he was appointed joint organist at Trinity and St John’s Colleges. He was elected Professor of Music at Cambridge in 1836. As a composer, Walmisley left to posterity a sizeable and varied corpus of works. However, with the exception of one isolated composition of pure genius, the Magnificat and Nunc dimittis in D minor, his music has fallen into obscurity. Composed in 1855, this late work is the most mature of all Walmisley’s service settings. Though reminiscent of a Tudor faux bourdon setting in its construction, the adventurous harmonic language, expressive yet un-sentimental approach to text-setting, and the brilliance and independence of the organ-writing make it a most original and memorable Service.

from notes by Sarah Langdon © 1987

Other albums featuring this work

My soul doth magnify the Lord
CDH55401
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