Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDJ33012

Verschwunden sind die Schmerzen, D88

composer
first published in 1892
author of text

Adrian Thompson (tenor), John Mark Ainsley (tenor), Richard Jackson (baritone)
Recording details: February 1991
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Martin Compton
Engineered by Tony Faulkner
Release date: November 1991
Total duration: 1 minutes 20 seconds
 

Reviews

‘An established and thoughtful interpreter of Schubert, one who sings German like a native’ (Gramophone)

‘His keen insight and regard for the words illuminate these fascinating songs. Hard as it now is to find fresh words of praise for Graham Johnson's perceptive guidance, what will the reviewer have to resort to by the time this series reaches its conclusion?’ (Hi-Fi News)
This canon (a celebration of the victory of the Allies at the Battle of Leipzig on 19 October 1813) is one of the very few pieces of music in Schubert's output which reflects the politics of the time. It is rather ironic that two days after this battle, the bureaucracy of the state functioned well enough for the Emperor Franz to send a memorandum from the field concerning the poor school grades of Franz Schubert: as a result of the pressure put on him to improve his academic work, Schubert left the Konvikt and began his training as a schoolteacher. The opening notes of the canon are strangely reminiscent of one of the most famous trios in opera, 'Mir ist so wunderbar' from Fidelio, which is also of course canonic. Something wonderful had indeed happened for the Germans. For the canon the composer took only one strophe of a much longer anonymous poem which he used in its entirety in another work —Auf den Sieg der Deutschen, D81—written for solo voice, two violins and a cello in the autumn of 1813. This has led to some speculation that Schubert himself may have been the patriotic author of the words.

from notes by Graham Johnson © 1991

Other albums featuring this work

Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price) — Download only
Waiting for content to load...
Waiting for content to load...