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Track(s) taken from SIGCD388

Eine Sonate für das Album von Frau M W, WWV85

composer
1853

Llŷr Williams (piano)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: March 2014
Wyastone Recording Studio, Monmouth, United Kingdom
Produced by Judith Sherman
Engineered by Andrew Mellor & Mike Hatch
Release date: September 2014
Total duration: 12 minutes 47 seconds

Cover artwork: Photograph by Benjamin Ealovega.
 

Reviews

'The Welsh virtuoso's idea of juxtaposing a selection of Wagner's uneven piano works with transcriptions is pianophile catnip. Wagner's 'long-winded' Fantasy, written at 19, and his effusive Sonata for his Tristan muse, Mathilde Wesendonck, are the most substantial original items, surpassed by Liszt's elaborations of extracts from Tristan, Tannhauser and Rienzi. Williams's reduction of Glenn Gould's four-hand Meistersinger Overture and his own Parsifal arrangements are highlights. An uplifting disc.’ (The Sunday Times)
Wagner composed Eine Sonate für das Album von Frau M.W.—that is, for his muse Mathilde Wesendonk—in 1853. Wesendonk famously inspired Wagner to break off his work on the epic 'Ring' cycle to create his opera Tristan und Isolde. Before composing that seminal masterpiece, Wagner wrote several song settings of Wesendonk’s poetry, two of which he explicitly identified as “studies” for Tristan. A year after they first met in 1852, Wagner composed a one-movement Sonata in her honour; this was his first completed work since composing Lohengrin some six years earlier, and was written some months before he embarked on the first opera of the 'Ring' cycle, Das Rheingold. In the manuscript copy of the Sonata he gave Mathilde, he wrote the words 'Wisst ihr wie das wird?' ('Do you know what will become of this?'), the question posed by the Norns in the Ring cycle’s final opera, Götterdämmerung.

from notes by Daniel Jaffé © 2014

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