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Track(s) taken from LSO5061

Halo

composer

London Symphony Orchestra, François-Xavier Roth (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: October 2012
LSO St Luke's, London, United Kingdom
Produced by Jonathan Stokes
Engineered by Neil Hutchinson
Release date: May 2013
Total duration: 10 minutes 20 seconds
 

Reviews

'There are plenty of imaginative sounds in The Panufnik Legacies, a CD from the LSO showcasing works by young composers. In Flēotan, Charlie Piper creates the sense of sounds suspended in the air, while in Christopher Mayo’s Therma, earthy rumblings gradually erupt. A highlight for me, though, was Eloise Nancie Gynn’s Sakura (cherry blossom) in which darker forces emerge and subside against a backdrop of atmospheric shimmers' (BBC Music Magazine)

'There are 11 firecrackers on this disc, written by 10 composers who have been nurtured by the LSO’s Panufnik Young Composers Scheme' (The Daily Telegraph)

'The Panufnik Legacies is an extremely valuable release, demonstrating the London Symphony Orchestra’s commitment to contemporary music, François-Xavier Roth’s dynamic and committed conducting, and that music being written right now is in very good health' (Classical Source)

'This is certainly a disc for those who are musically curious, and maybe the best way in is through Jason Yarde’s coolly inviting Rude Awakening!, which lives up to its name! The LSO plays marvellously for the unstinting François-Xavier Roth. There is much to relish here, the music of now and the future. What’s more, the sound is superb in its clarity and impact, not transferred too loudly (as can be the case these days), allowing the orchestra space and dynamism. All round, very impressive' (Hi-Fi Critic)
‘From the opening chord, which felt like a sharp burst of light—similar to the sensation one feels when they first emerge out of a dark room—to the pulsating sensations created with the use of timpani and flexatone, the audience felt the emergence of light.’ (bachtrack.com)

The word ‘halo’ refers to the circular band of coloured light around a light source, caused by the refraction and reflection of light by ice particles suspended in the intervening atmosphere. Its geometric perfection, ethereal quality and chromatic instability are what the music alludes to, while the inner structure of the piece is a musical speculation on the concept of ‘point within a circle’. The opening’s superimposed octaves are tribute to the great tradition of orchestral openings, coming from Beethoven’s Fourth Symphony, through Mahler’s First Symphony to György Kurtág’s Stele.

from notes by Vlad Maistorovici © 2013

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