‘I don’t think I have heard a harpsichord sound as supple and rich in colours … Rameau’s five suites rank with the finest keyboard music of the first half of the 18th century, but they remain neglected by the side of masterpieces by Handel and Bach. Esfahani’s magnetic advocacy could change all that. His rhythmic verve, wide spectrum of tone colour and joie de vivre is evident throughout’ (The Sunday Times)» More

‘The genius of Rameau still inspires and challenges us today. He is certainly lucky that performers like Esfahani have engaged his spirit in well-thought and ultimately, highly communicative readings like this one’ (Audiophile Audition, USA)» More

‘Esfahani does something special and, I think, unique here, so identifying his own maverick intelligence with Rameau’s supple, refined use of wit and irony’ (Limelight, Australia)» More

‘This, as you would expect, is a beautifully produced and presented recording of Rameau’s complete Pièces de clavecin … Mahan Esfahani is a brilliant technician, but more than that he is a master at delivering the character in these pieces. Dark minor-key drama, dancing rhythms and elegance are created with the utmost refinement, and refinement is a major strength of this set as a whole’ (MusicWeb International)» More

‘The real star of this recording is the ravishing sound of the harpsichord itself … what a great sound’ (The Toronto Early Music Newsletter, Canada)» More