Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA68005

Fantasia in E major, Op 12

composer
October 1898

Philippe Graffin (violin), Royal Flemish Philharmonic, Martyn Brabbins (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: July 2013
Muziekgebouw Frits Philips Eindhoven, Netherlands
Produced by Rachel Smith
Engineered by Ben Connellan
Release date: January 2015
Total duration: 6 minutes 18 seconds
 

Reviews

‘Strongly tonal and lyrical, Jongen's chief influences seem to be Richard Strauss and César Franck … the Fantasia in E major has a gorgeous honeyed melody as its main subject. A better title might have given it wider currency. The more amorphous Adagio symphonique from three years later comes from the same stable, with the soloist flying high over a rich orchestral texture. It is this characteristic that is most evident in the three movements of the Violin Concerto’ (Gramophone)

‘Volume 18 of Hyperion's series of little-known violin concertos of the Romantic era. This one showcases the music of Joseph Jongen, a Belgian composer much admired in his day for his orchestral and chamber works. On this new album violin virtuoso Philippe Graffin collaborates with the Royal Flemish Philharmonic and conductor Martyn Brabbins in Jongen’s Violin Concerto, one of the composer’s first substantial works. David [Mellor] describes it as "a lovely violin concerto which ought to be rather better known than it is’ (Classic FM)

‘Philippe Graffin is a very stylish violinist who does full justice to these scores. The same can be said for the orchestra and Martyn Brabbins’ (American Record Guide)

‘Graffin’s tonal transparency, ear-ringing intonation and phrasal intuitiveness … are a constant source of pleasure, captured in alluringly tangible sound’ (The Strad)» More

‘The Fantasie in E Major (1898) by Jongen finds an admirable lyricism in this performance by Philippe Graffin, whose 1730 Busano instrument lights up its delicate, relatively uncomplicated colors’ (Audiophile Audition, USA)» More

‘Technically and artistically Philippe Graffin once again proves first-class, his slender yet eloquent tone being altogether appropriate. Recorded sound is admirable, though a little drier than the label's very finest’ (Limelight, Australia)» More

‘All in all, then, this is an attractive disc which will certainly not disappoint’ (MusicWeb International)» More

‘Graffin is, as usual, superb in every respect … with a luscious tone, expansive and nuanced phrasing, and sensitivity and passion to burn. He is given terrific support by Brabbins and the orchestra’ (The Whole Note, Canada)» More

«Philippe Graffin et Martyn Brabbins y mettent partout beaucoup de cœur et de couleurs» (Diapason, France)» More

«Philippe Graffin est l'indispensable interprète des raretés … bien que les musiques qu'il joue soient extrêmement expressives, il les aborde sans appuyer le son, toujours élégant, toujours délié» (Classica, France)» More
PERFORMANCE
RECORDING
The Fantasia in E major, Op 12, was completed in October 1898, just before Jongen began his European travels. A short piece, it begins slowly before becoming more animated. The most memorable moment comes near the end, where the soloist plays a version of the main theme notable for its uncomplicated lyricism, Jongen’s confident handling of the orchestra, and his gift for telling harmonies.

from notes by Nigel Simeone © 2015

La Fantaisie en mi majeur, op.12, fut terminée en octobre 1898, juste avant que Jongen ne parcourût l’Europe. Brève, elle démarre lentement, puis s’anime. Le moment le plus mémorable survient vers la fin, quand le soliste joue une version du thème principal valant par son lyrisme sans apprêts, par son traitement orchestral maîtrisé et par le don de Jongen pour les harmonies éloquentes.

extrait des notes rédigées par Nigel Simeone © 2015
Français: Hypérion

Die Fantasia in E-Dur, op. 12, wurde im Oktober 1898 fertiggestellt, kurz bevor Jongen sich auf seine Reisen durch Europa begab. Es handelt sich dabei um ein kurzes Stück, das langsam beginnt und dann animierter wird. Der denkwürdigste Augenblick kommt gegen Ende, wo der Solist eine Version des Hauptthemas spielt, das aufgrund seiner unkomplizierten Lyrik und Jongens selbstbewusster Behandlung des Orchesters sowie seiner besonderen harmonischen Gabe bemerkenswert ist.

aus dem Begleittext von Nigel Simeone © 2015
Deutsch: Viola Scheffel

Waiting for content to load...
Waiting for content to load...