Please wait...

Hyperion Records

Click cover art to view larger version
Second woodcut of the 1550 Rosarium philosophorum.
Track(s) taken from CKD417
Recording details: January 2012
St George's Church, Chesterton, Cambridge, United Kingdom
Produced by Philip Hobbs
Engineered by Philip Hobbs & Robert Cammidge
Release date: November 2012
Total duration: 12 minutes 26 seconds

'Sonic splendour abounds in the Magnificat choir's performance of this repertory. Byrd's eight-part Quomodo cantabinus unfurls majestically, ravishing the ear. In White's enormous five-part Lamentations, the choir lingers at just the right places. The subtle hues of the choir, an elite corps from Winchester and Westminster cathedrals, are particularly impressive in Byrd's Lamentation, a piece in which voicing gives the music its momentum' (BBC Music Magazine) » More

'The sober packaging of this disc gives little indication of the pleasure within. Pass it over at your peril. The small vocal group Magnificat, and its founder/director Philip Cave, explore Latin music from Tudor England mainly from the 1560s and 70s by Parsons, White and Byrd found in the Dow collection of manuscripts in the library of Christ Church, Oxford. An excellent booklet essay guides us through the changing fortunes of Latin texts in newly Protestant England, as well as questions of performance practice and pitch. But the long lines of intertwining and unfolding polyphony, performed with warmth and purity, is the reason to buy this inspirational CD' (The Observer)

'Compiled by the singer/musicologist Sally Dunkley and conducted by tenor Philip Cave, Magnificat's latest disc traces the survival of the Latin motet in the 1560s and 1570s. Byrd, Parsons and White were contemporaries, and the influence of Thomas Tallis, Byrd's teacher, can be felt in the purity of each composer's word-setting. From the aching lines of White's Lamentations to the deep groan of Byrd's Domine, the blend is beautifully relaxed and natural' (The Independent)

'What a way to open a CD! The spare beauty of Byrd's hymn Christe qui lux es et dies is quite devastating: no fancy part-writing, just simple block chords in which the hymn tune, sung in its unembellished form at the beginning and end weaves through the harmony leaving the other parts forlorn and angular. Performed with measured solemnity, this epitomises Philip Cave's style … Magnificat's recorded sound is spacious and rich, underpinned by a strong bass department, but with all the parts clear and some marvellous chording and part-crossing; false relations are met with discretion, and the phrasing is heart-rending … very highly recommended' (Early Music Review) » More

'To overcome the problem of balancing the harpsichord against the standard Baroque string ensemble, the current fashion is to play them one-to-a-part, as recorded here by London's critically acclaimed Retrospect Ensemble with their inspired young leader Matthew Halls. He plays a superb instrument with a robust yet refined tone and inflects the solo part with illuminating details, crisp rhythmic articulation and clever yet tasteful ornamentation' (Limelight, Australia) » More

De lamentatione Jeremiae prophetae
composer
author of text
Lamentations 2: 8-10

Show: MP3 FLAC ALAC
   English   Français   Deutsch