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Track(s) taken from CDA68013

Westminster Abbey

First line:
Christ is made the sure foundation
composer
adapted by Canon Ernest Hawkins from the Alleluia ending of O God, thou art my God, Z35
composer
descant
author of text
'Angularis fundamentum', anonymous 6th- or 7th-century Latin
translator of text

Westminster Abbey Choir, James O'Donnell (conductor), Robert Quinney (organ)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: January 2013
Westminster Abbey, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: January 2014
Total duration: 3 minutes 27 seconds

Cover artwork: Westminster Bridge (detail) by Samuel Scott (c1702-1772)
Private Collection / Agnew's, London / Bridgeman Art Library, London
 
1

Henry Purcell wrote the anthem O God, thou art my God (Z35) between 1680 and 1682 whilst he was Organist of Westminster Abbey. Its closing ‘Alleluia’ section was adapted as a hymn tune by Canon Ernest Hawkins in 1842, and included in Belville’s collection The Psalmist the following year. Henry Purcell is buried in the North Quire aisle very near to the spot where the organ was situated in the seventeenth century.

The anonymous seventh-century text Angularis fundamentum found a champion in the scholarly priest John Mason Neale, a central figure of the early Oxford Movement. Acknowledged as the best in his year at Trinity College, Cambridge, Neale began to reflect on the important role of architecture in illustrating theological and liturgical principles—the fruits of which conviction are seen in the descriptive and comprehensive translation of this hymn. An avid writer of Church history, apologetics, and catechetics, perhaps his greatest contributions to the liturgical life of the Church were his translations of the sixth-century theological poet Venantius Fortunatus. Neale disliked the tendency in his contemporary Methodist hymnodists towards sentimentality and sensuality in much new hymnody, preferring hymns which educated people faithfully in doctrine and dogma. A committed antiquarian, his 1851 collection Medieval Hymns and Sequences included translations in their original metre, so that they could be sung to their old tunes.

This hymn was sung at Princess Margaret’s wedding to Antony Armstrong-Jones in Westminster Abbey in 1960, and at the ecumenical Evening Prayer celebrated with Pope Benedict XVI in September 2010.

from notes by The Revd Dr James Hawkey 2014

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