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Hyperion Records

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William Mundy’s Te Deum ‘for trebles’ from the Chirk Castle Part-Books. MS Mus.Res.*MNZ(Chirk).
The New York Public Library for the Performing Arts, Astor, Lenox and Tilden Foundations
Track(s) taken from CDA67695
Recording details: July 2008
Merton College Chapel, Oxford, United Kingdom
Produced by David Trendell
Engineered by Justin Lowe
Release date: April 2009
Total duration: 2 minutes 49 seconds

'The new works are undoubtedly significant additions to the repertoire. On that count alone this recording is self-recommending. An even greater name among the new additions is that of Tallis … the predominant sonority is familiarly clear, transparent and assured … for the sake of the new pieces alone, lovers of this repertory will welcome this enthusiastically' (Gramophone)

'This is a beautifully conceived and exquisitely carried out program with much historical interest' (American Record Guide)

'You will never hear a more judiciously balanced, vocally better matched, nor technically more accomplished choral group than the 12-voice Brabant Ensemble. Founder/director Stephen Rice has assembled an exemplary company of voices aligned with repertoire that ideally suits the group's size and configuration. Combined with excellently recorded sound—from the Merton College Chapel venue favored by many choral ensembles—this production offers a program that's not only historically significant but that's worthy of repeated listening—intellectually involving, aesthetically pleasing, and emotionally engaging. How can you go wrong with that? Highly recommended!' (ClassicsToday.com)

Deliver me from mine enemies
composer
6vv
author of text
Psalm 59: 1-2; 60: 11

Robert Parsons’s dazzling technical skill as a contrapuntalist is demonstrated in his six-part anthem Deliver me from mine enemies. The two soprano parts are in strict canon throughout and below these Parsons weaves a magnificent web of imitative counterpoint closely related to the canonic themes. The version in the Chirk manuscripts used by The Brabant Ensemble omits several repetitions of material present in other sources; they have been reinstated in order to bring an enhanced symmetry to Parsons’s brilliant writing.

from notes by David Evans © 2009

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