'The remarkable Tatiana Nikolayeva ... uncovers Bach's revelations as if they were her own' (The Independent)

'Absolutely superb. Certainly I can think of no finer recording of this endlessly fascinating masterpiece, whatever the medium. Highly recommended' (CDReview)

			Ein musikalisches Opfer, BWV1079
CD1	1		Movement 1: Ricercare a 3  [6'53]
	2		Movement 5: Ricercare a 6  [9'40]
	3		Duet in E minor, BWV802  [2'42]
	4		Duet in F major, BWV803  [3'21]
	5		Duet in G major, BWV804  [3'23]
	6		Duet in A minor, BWV805  [4'00]
			Die Kunst der Fuge, BWV1080
	7		Movement 01: Contrapunctus 1  [4'51]
	8		Movement 02: Contrapunctus 2  [3'52]
	9		Movement 03: Contrapunctus 3  [2'58]
	10		Movement 04: Contrapunctus 4  [4'33]
	11		Movement 05: Canon in hypodiapason 'Canon alla ottava'  [3'57]
	12		Movement 06: Contrapunctus 5  [2'42]
	13		Movement 07: Contrapunctus 6 'per diminutionem' in stylo Francese  [5'37]
	14		Movement 08: Contrapunctus 7 per augmentationem et diminutionem  [3'25]
	15		Movement 09: Canon alla duodecima in contrapunto alla quinta  [3'41]
CD2	1		Movement 10: Contrapunctus 8  [6'25]
	2		Movement 11: Contrapunctus 9 alla duodecima  [2'59]
	3		Movement 12: Contrapunctus 10 alla decima  [4'34]
	4		Movement 13: Contrapunctus 11  [6'04]
	5		Movement 14: Canon 'in hypodiatessaron' per augmentationem in contrario motu  [4'35]
	6		Movement 15: Canon alla decima 'Contrapunto alla terza'  [4'29]
	7		Movement 16: Contrapunctus 13 'Rectus'  [2'31]
	8		Movement 17: Contrapunctus 13 'Inversus'  [2'32]
	9		Movement 18: Contrapunctus 12 'Rectus'  [3'41]
	10		Movement 19: Contrapunctus 12 'Inversus'  [3'41]
	11		Movement 20: Contrapunctus 14  [12'38]