As a young man Rollett was a left-winger, a fiery advocate of press freedom and an opponent of Metternich. Such works as Kampflieder and Republikanisches Liederbuch (both 1848) would have made him a sympathetic figure to the Schumanns; it is perhaps for this reason that his novel Jucunde was welcomed into their household where the composer’s verdict on the poems therein was ‘sehr musikalische Gedichte’. During the 1840s the poet became less and less comfortable in his native land. Eventually he was forced to flee Austria and lived for a while as a so-called censorship-refugee in Germany. It was in Weimar in 1846 that he made the acquaintance of Hans Christian Andersen and Jenny Lind as they visited the graves of Goethe and Schiller. (His impressions of Andersen, whom he likened to a tall poppy in appearance, are sympathetic and forgiving of his egocentricities.) In 1851 he moved to Switzerland (where he came into contact with Wagner) and in 1854 returned to his home city where he was eventually appointed to a post as archivist of the city’s museums and lived out a life as a cultural historian, novelist and poet. He failed to achieve lasting fame and died in straitened circumstances.
from notes by Graham Johnson ©
Complete works available for download
|CLARA SCHUMANN (1819-1896)|
|Sechs Lieder aus Jucunde, Op 23 Geraldine McGreevy (soprano), Graham Johnson (piano)|
|Sechs Lieder aus Jucunde, Op 23 Susan Gritton (soprano), Eugene Asti (piano)|
Alphabetical listing of all musical works
|Sechs Lieder aus Jucunde, Op 23 (Schumann)|