'The 38 Skazki are the most important piano miniatures that Nikolay Medtner composed … There's something discursive and fantastical about these pieces; intensely conservative, Medtner's musical language was always rooted in late 19th-century romanticism, the world that his contemporary and friend Rachmaninov fashioned into a distinctive personal style, but which Medtner preserved almost intact. Yet his piano writing is vivid and superbly idiomatic; there are wonderful things in these Skazki, which are inspired by a wide range of literary sources, from Goethe and Shakespeare (King Lear and Hamlet) to Pushkin and Russian folklore … Hamish Milne is a wonderful guide to this world - his performances are both technically outstanding and musically penetrating' (The Guardian)
'They're among [Medtner's] characteristic utterances and include many of his finest inspirations. Some are simply masterpieces … It's excellent to have a complete collection from Hamish Milne, one of our leading Medtnerians, as a welcome counterpart to Marc-André Hamelin's complete Sonatas, also on Hyperion. Milne is in complete technical and expressive command, bringing to them the fleetness and rhythmic spring, the varied character and wit, that all Medtner's music needs. He crests the summists of their virtuosity with such ease one can concentrate throughout on the music, not the pianist, as Medtner intended … He expounds the composer's thought with complete identification and sympathy' (BBC Music Magazine)
'Each one a unique gem of beguiling invention. Notoriously difficult to bring off, Hamish Milne makes some of the most exacting pages in the repertoire sound glorious' (Classic FM Magazine)
'Hamish Milne's performances maintain a high level of consistency, presenting Medtner's ideas with great clarity. His playing has a crispness and rhythmic vitality that serves the music well. Medtner's various moods are all capably handled … An impressive achievement and eminently recommendable recording … Recorded sound is up to Hyperion's usual excellent standards' (International Record Review)
'From the very first of these skazki ("tales"), I was hooked. Much of this is to do with the advocacy of Hamish Milne, who has already recorded some of this repertoire for the CRD label, is regarded by many as the composer's greatest living champion and, as his booklet note emphasises, is determined to see through the prejudice that has dogged the composer's reputation since his death in 1951. His playing has the muscularity to cope with Medtner's often challenging rhythmic writing - listen to the bracing "Dance Tale" from Op 48 of 1925 - while this vigour is counterbalanced by a sensitivity to the music's poetry and lyricism. Indeed, his sympathy for Medtner's ever-amenable style - echoing Rachmaninov and Debussy at times - ensures that the ear is constantly engaged' (Daily Telegraph)
'Milne has recorded many epoch-making Medtner discs and his new collection of the complete Skazki stands out as his finest to date. The richness of ideas and the overwhelming range of expression is Medtner at his finest. Milne eclipses Geoffrey Tozer in his otherwise brilliant Chandos recording and I cannot think of a pianist today who can better this' (Pianist Magazine)
'Milne's is a sincere and personal journey, as Medtner's undoubtedly was; the sound is fresh and unfussy, and Milne's own notes perspicuous and heartfelt' (International Piano Magazine)
'Completed by flawless recording quality – immediate, vivid and truthful, but never oppressive (dynamics are faithfully captured) – this is a quite outstanding and revelatory issue' (ClassicalSource.com)
'Medtner was sometimes chided for lacking focus, but there's nothing diffuse in these clean-cut and formally lucid readings, which manage to present a wealth of boldly delineated detail without ever obscuring the music's overall trajectories. We¹re certainly unlikely to get a better complete run of the Skazki in the foreseeable future. Strongly recommended … A revelation: music of fantasy and individuality, and played by Milne with devotion.' (Fanfare, USA)
'This is a major, important release … Milne has been recording Medtner for quite some time now … and his detailed and very well written booklet notes are on the same high level as his pianism … No-one plays these musical Tales as well as Hamish Milne' (American Record Guide)
CD1
|
No 1: Andantino
[3'19]
|
||
No 2: Allegro
[6'44]
|
|||
No 1: Allegro inquieto
[3'34]
|
|||
No 1: Allegretto frescamente
[2'27]
|
|||
No 2: Milto vivace
[1'30]
|
|||
No 3: Narrante e piacere
[2'26]
|
|||
No 4: Sostenuto
[4'01]
|
|||
No 2: Allegro e leggiero
[2'16]
|
|||
No 3: Allegretto tenebroso
[3'24]
|
|||
No 1: Andante maestoso
[3'44]
|
|||
No 3: Cantabile, narrante
[3'28]
|
|||
CD2
|
|||
No 3: Moderato, narrante
[5'59]
|
|||
No 2: Cantabile, tranquillo
[3'43]
|
|||
No 5: Presto
[2'11]
|
|||
Skazka '1915'
[2'12]
|
|
This is a magnificent and important set. Notwithstanding the current revival of interest in Medtner (in which Hyperion has played no small part) the complete Skazki have never been recorded together, and some of the pieces here are receiving their long overdue first recordings. The Skazki (‘Märchen’ in German; ‘Contes’ in French; the incorrect ‘Fairy Tales’ in English) were the most personal of Medtner’s idioms and contain his most immediately appealing music: they are miniature tone poems full of atmosphere and colour and are arguably the most neglected ‘great’ piano music in the repertoire. Medtner has been central to Hamish Milne’s repertoire since the 1970s—he has already recorded eight CDs of the composer’s music—and no one has a finer grasp of the subtle sound world of these works. Hamish has here surpassed himself in a recording which is also graced with superlative piano sound. These CDs are sure to be regarded as definitive for many years to come. |