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CDA67090


View sleeve notes/artwork (PDF)
Recording details: November 1998
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Tony Faulkner & Mike Dutton
Release date: November 1999
Total duration: 77 minutes 45 seconds

'A fine conspectus of a captivating composer. Russian champagne of glowing vintage' (Classic CD)

'Superlative. Immaculately and sensitively performed. Sound and presentation are superb. It would be hard to imagine one of music's most neglected byways illuminated with more pianistic ease and affection' (Gramophone)

'This is charming, formidably accomplished stuff. Hamelin gives impeccably stylish and sympathetic readings, as if he's been playing them since the cradle. Probably he has.' (BBC Music Magazine)

'Un disque rempli de joie, de poésie et de lumière.' (Le Devoir)

Georgy Catoire (1861-1926)
Piano Music
Marc-André Hamelin (piano)
LISTEN TO ALL EXTRACTS
1
Caprice, Op 3  [3'59]
2
Intermezzo, Op 6 No 5  [4'09]
Trois morceaux, Op 2
3
No 1: Chant intime  [1'43]
4
No 2: Loin du foyer  [1'57]
5
No 3: Soirée d'hiver  [4'32]
Six Morceaux, Op 6
6
No 2: Prélude  [1'36]
7
No 3: Scherzo  [4'22]
8
Vision 'Étude', Op 8  [3'42]
Cinq morceaux, Op 10
9
No 1: Prélude  [2'17]
10
No 2: Prélude  [2'44]
11
No 3: Capriccioso  [2'15]
12
No 4: Rêverie  [4'22]
13
No 5: Légende  [2'40]
Quatre morceaux, Op 12
14
No 1: Chant du soir  [3'30]
15
No 2: Méditation  [2'13]
16
No 3: Nocturne  [4'10]
17
No 4: Étude fantastique  [3'04]
Quatre préludes, Op 17
18
No 1: Poco Allegro  [1'47]
19
No 2: Con molto sentimento  [1'06]
20
No 3: Andante dramatico  [3'12]
21
No 4: Andante  [1'45]
Chants du crépuscule, Op 24
22
No 1: En rêvant  [3'01]
23
No 2: Capricciosamente  [2'04]
24
No 3: Tranquillo  [3'06]
25
No 4: Poco agitato  [2'02]
Quatre morceaux, Op 34
26
No 2: Poème  [3'02]
27
No 3: Prélude  [0'48]
28
Valse, Op 36  [2'37]
Marc-André Hamelin adds another mystery name to his discography with this disc of piano music of the almost unknown Russian Georgy Catoire (a French father explains the inauthentic-sounding surname). Catoire was one of a large number of composers who flourished in pre-Revolutionary Russia at the turn of the century, and his musical style is very much of that period. Primarily a miniaturist, most of his pieces can be described as mood pictures rather than as anything more abstract, his more sophisticated use of harmony giving his style a more cosmopolitan feel than some of his more Russian contemporaries such as Liadov or Arensky. Perhaps he can best be compared to earlier Scriabin but without the neuroticism found in the latter's work. The modesty of Catoire's output and its irrelevance to Bolshevik Russia has undoubtedly led to its neglect but just as this music has attracted Marc-André Hamelin's advocacy it will no doubt appeal to a new audience of listeners who can now rediscover it.