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Hyperion Records

Artist Hyperion Records
Roberts, Timothy (fortepiano)  
© Rik Walton

Timothy Roberts (fortepiano)

see also Timothy Roberts (organ/regal)

see also Timothy Roberts (harpsichord/spinet/virginals)

see also Timothy Roberts (conductor)

Timothy Roberts is an early-keyboard specialist, working as an accompanist, director or soloist on harpsichord, organ, fortepiano or clavichord in many areas of music from the sixteenth to the nineteenth century. He is principal keyboard player of The Gabrieli Consort and Players, appearing on many of their award-winning discs. He has toured widely with His Majestys Sagbutts and Cornetts. In the field of Baroque and Classical song he has accompanied many outstanding singers including Emma Kirkby, Catherine Bott, Julia Gooding, Rufus Müller and John Mark Ainsley. Directing his own ensemble, Invocation, he has made a series of pioneering recordings of Georgian vocal music for Hyperion. His many recitals have ranged from Renaissance harpsichord works to sonatas by Mozart and by British composers.

Timothy was born in London, was a music scholar at Cambridge University and studied harpsichord at The Guildhall School of Music under the late Christopher Kite, and with Jill Severs. He has published numerous editions of early music, most recently with Oxford University Press.

Albums
Cover of 'Benda: Cephalus and Aurora' (CDA66649)
Benda: Cephalus and Aurora
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CDA66649  Archive Service Only   Download currently discounted
Cover of 'Haydn and his English Friends' (CDA67150)
Cover of 'O tuneful voice' (CDA66497)
O tuneful voice
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CDA66497  Archive Service Only   Download currently discounted
Cover of 'The Romantic Music' (CDA66740)
Cover of 'While shepherds watched' (CDH55325)
Alphabetical listing of all musical works
'Tis only no harm to know it, you know (Shield)
A shepherd lov'd a nymph so fair (Pinto)
Belise starb, und sprach im Scheiden (Benda)
Cephalus und Aurore (Benda)
Das Andenken (Benda)
Du fehlest mir, wie einsam und wie stille (Benda)
Du, klein Blondine, bezauberst ja schon! (Benda)
Duet in D minor on Scottish Airs (Meyer)
Ein trunkner Dichter leerte (Benda)
Ellen's Song (Attwood)
Eloisa to Abelard (Pinto)
Faulheit, itzo will ich dir (Benda)
From thee, Eliza, I must go (Pinto)
Funeral March in Honour of Beethoven (Webbe Jr.)
Go, lovely rose (Salomon)
How oft, instinct with warmth divine (Haydn)
Hymning seraphs wake the morning (Handel/Taylor)
Ich liebte nur Ismenen (Benda)
Invocation to Nature (Pinto)
Lieber Amor, leihe mir (Benda)
Love wakes and weeps (Webbe Jr.)
Maker of all! be thou my guard (Haydn)
Mein Geliebter hat versprochen (Benda)
Mein Thyrsis! dürft ich dir doch sagen (Benda)
Minuetto in A flat (Pinto)
Mir Armen, den des Fiebers Kraft (Benda)
O tuneful voice (Salomon)
O tuneful voice, Hob XXVIa:42 (Haydn)
Philint ist still, und flieht die Schönen (Benda)
Philint stand jüngst vor Babets Thür (Benda)
Rondo in E flat (Pinto)
Rondo on God rest you merry, gentlemen (Wesley)
Sailor's song, Hob XXVIa:31 (Haydn)
She never told her love, Hob XXVIa:34 (Haydn)
Sonata No 9 in A minor (Benda)
Sonatina No 16 in G minor (Benda)
Sonatina No 21 in F major (Benda)
Sonatina No 29 in E flat major (Benda)
Sonatina No 3 in A minor (Benda)
Sonatina No 32 in A major (Benda)
The Death of the common soldier (Webbe Jr.)
The Distress'd Mother (Pinto)
The spirit's song, Hob XXVIa:41 (Haydn)
The wanderer, Hob XXVIa:32 (Haydn)
Venus, wenn du willst mich rühren (Benda)
Von nun an, o Liebe, verlaß' ich dein Reich (Benda)
What art expresses 'Dr Harington's Compliment' (Haydn)
Why still before these streaming eyes (Salomon)
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